Miscellanies 6.11.88
Summary: David the harpist-prophet is the example of music; the ancient Hebrew psalmody was a model even for Terpander, and the lyre signifies the Lord, his ministers, and the saved people, while the harmony of law, prophets, and gospel is the church's symphony.
Greek text · Stählin 2:475–476
Ἔτι τῆς μουσικῆς παράδειγμα ψάλλων ὁμοῦ καὶ προφητεύων ἐκκείσθω Δαβίδ, ὑμνῶν τὸν θεὸν ἐμμελῶς. προσήκει δὲ εὖ μάλα τὸ ἐναρμόνιον γένος τῇ δωριστὶ ἁρμονίᾳ καὶ τῇ φρυγιστὶ τὸ διάτονον, ὥς φησιν Ἀριστόξενος. ἡ τοίνυν ἁρμονία τοῦ βαρβάρου ψαλτηρίου, τὸ σεμνὸν ἐμφαίνουσα τοῦ μέλους, ἀρχαιοτάτη τυγχάνουσα, ὑπόδειγμα Τερπάνδρῳ μάλιστα γίνεται πρὸς ἁρμονίαν τὴν Δώριον ὑμνοῦντι τὸν Δία ὧδέ πως· Ζεῦ πάντων ἀρχά, πάντων ἁγήτωρ, Ζεῦ. σοὶ πέμπω ταύταν ὕμνων ἀρχάν. εἴη δʼ ἂν τῷ ψαλμῳδῷ κιθάρα ἀλληγορουμένη κατὰ μὲν τὸ πρῶτον σημαινόμενον ὁ κύριος, κατὰ δὲ τὸ δεύτερον οἱ προσεχῶς κρούοντες τὰς ψυχὰς ὑπὸ μουσηγέτῃ τῷ κυρίῳ. κἂν ὁ σῳζόμενος λέγηται λαὸς κιθάρα, κατʼ ἐπίπνοιαν τοῦ λόγου καὶ κατʼ ἐπίγνωσιν τοῦ θεοῦ δοξάζων μουσικῶς ἐξακούεται, κρουόμενος εἰς πίστιν τῷ λόγῳ. λάβοις δʼ ἂν καὶ ἄλλως μουσικὴν συμφωνίαν τὴν ἐκκλησιαστικὴν νόμου καὶ προφητῶν ὁμοῦ καὶ ἀποστόλων σὺν καὶ τῷ εὐαγγελίῳ τήν τε ὑποβεβηκυῖαν, τὴν καθʼ ἕκαστον προφήτην κατὰ τὰς μεταπηδήσεις τῶν προσώπων συνῳδίαν.
English · Claude translation
Further, as an example of music, let David be set before us, playing the harp and prophesying at once, singing praise to God melodiously. The enharmonic genus suits the Dorian mode very well, and the diatonic the Phrygian, as Aristoxenus says. The harmony of the barbarian psaltery, then, which displays the solemnity of its melody and is the most ancient, became above all a model for Terpander, who hymns Zeus in the Dorian mode somewhat as follows: “Zeus, beginning of all things, leader of all, Zeus, to you I send this beginning of hymns.” For the psalmist the lyre, understood allegorically, would be in its first meaning the Lord, and in its second those who strike the souls more immediately under the Lord, the leader of the Muses. And if the people that is being saved is called a lyre, it is heard glorifying God musically by the inspiration of the Word and by the knowledge of God, struck into faith by the Word. You may also take, in another way, as a musical symphony the church's concord of the law and the prophets together with the apostles and the gospel, and, below it, the harmony within each prophet as the speaking persons change.
About this passage
Notes
Translation notes
- Aristoxenus was a musical theorist of the fourth century BC; the Terpander quotation is fragment 1 (Bergk). “Barbarian” here means Hebrew: Clement calls the Hebrew Scriptures “barbarian philosophy.” The second meaning of the lyre (“those who strike the souls more immediately”) is ambiguous; it may mean the Lord's ministers.
Cite this passage
Clement of Alexandria, Strom. 6.11.88 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/clement-stromata/6/11/88/).
Plain text
Clement of Alexandria, Strom. 6.11.88 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/clement-stromata/6/11/88/).
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