Miscellanies 6.16.144
Summary: More sevens: the seven-stringed lyre, the seven openings of the face, and Solon's poem dividing human life into ten periods of seven years.
Greek text · Stählin 2:505–506
ἑπτατόνῳ φόρμιγγι νέους κελαδήσομεν ὕμνους, ποιητής τις οὐκ ἄσημος γράφει καὶ τὴν παλαιὰν λύραν ἑπτάφθογγον εἶναι διδάσκων. ἑπτὰ καὶ περὶ τῷ προσώπῳ τῷ ἡμετέρῳ ἐπίκειται τῶν αἰσθητηρίων τὰ ὄργανα, δύο μὲν τὰ τῶν ὀφθαλμῶν, δύο δὲ τὰ τῶν ἀκουστικῶν πόρων, δύο δὲ τὰ τῶν μυκτήρων, ἕβδομον δὲ τὸ τοῦ στόματος. τάς τε τῶν ἡλικιῶν μεταβολὰς κατὰ ἑβδομάδα γίνεσθαι Σόλωνος αἱ ἐλεγεῖαι δηλοῦσιν ὧδέ πως· παῖς μὲν ἄνηβος ἐὼν ἔτι νήπιος ἕρκος ὀδόντων φύσας ἐκβάλλει πρῶτον ἐν ἕπτʼ ἔτεσιν· τοὺς δʼ ἑτέρους ὅτε δὴ τελέσῃ θεὸς ἕπτʼ ἐνιαυτούς, ἥβης ἐκφαίνει σήματα γεινομένης· τῇ τριτάτῃ δὲ γένειον ἀεξομένων ἐπὶ γυίων λαχνοῦται, χροιῆς ἄνθος ἀμειβομένης· τῇ δὲ τετάρτῃ πᾶς τις ἐν ἑβδομάδι μέγʼ ἄριστος ἰσχύν, ἥν τʼ ἄνδρες σήματʼ ἔχουσʼ ἀρετῆς· πέμπτῃ δʼ ὥριον ἄνδρα γάμου μεμνημένον εἶναι καὶ παίδων ζητεῖν εἰσοπίσω γενεήν· τῇ δʼ ἕκτῃ περὶ πάντα καταρτύεται νόος ἀνδρός, οὐδʼ ἕρδειν ἔθʼ ὁμῶς ἔργα μάταια θέλει· ἑπτὰ δὲ νοῦν καὶ γλῶσσαν ἐν ἑβδομάσιν μέγʼ ἄριστος ὀκτώ τʼ ἀμφοτέρων τέσσαρα καὶ δέκʼ ἔτη· τῇ δʼ ἐνάτῃ ἔτι μὲν δύναται, μετριώτερα δʼ αὐτοῦ πρὸς μεγάλην ἀρετὴν σῶμά τε καὶ δύναμις· τῇ δεκάτῃ δʼ ὅτε δὴ τελέσῃ θεὸς ἕπτʼ ἐνιαυτούς, οὐκ ἂν ἄωρος ἐὼν μοῖραν ἔχοι θανάτου.
English · Claude translation
“With the seven-toned lyre we shall sing new hymns,” writes a poet of no obscurity, teaching that the ancient lyre had seven notes. Seven too are the organs of the senses set on our face: two of the eyes, two of the ear passages, two of the nostrils, and seventh that of the mouth. And that the changes of life's ages happen by sevens the elegies of Solon show, somewhat as follows: “A child, still an infant and not yet grown, sheds the fence of teeth he first grew within seven years. When God completes another seven years, he shows the signs of coming youth. In the third, while his limbs are still growing, his chin grows downy, the bloom of his skin changing. In the fourth seven every man is at his best in strength, which men hold as the signs of excellence. In the fifth it is time for a man to be mindful of marriage and to seek a line of children after him. In the sixth a man's mind is trained in all things, and he no longer wishes to do foolish deeds as before. In seven sevens he is at his best in mind and tongue, and in eight, fourteen years in both together. In the ninth he still has power, but his body and strength are weaker for great excellence. When God completes the tenth seven years, he would not be untimely if he met his portion of death.”
About this passage
Notes
Translation notes
- The line on the seven-toned lyre is usually attributed to Terpander. The poem is Solon's elegy on the ages of man (fragment 27 West).
Notes on the original text
- Digital text corrected (final sigma before an elision mark in the digital text): ἔχουςʼ → ἔχουσʼ.
Cite this passage
Clement of Alexandria, Strom. 6.16.144 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/clement-stromata/6/16/144/).
Plain text
Clement of Alexandria, Strom. 6.16.144 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/clement-stromata/6/16/144/).
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