Oration to the Greeks 22

Summary: The pantomime actor, playing gods and heroes on stage, teaches vice to the audience, including children.

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Greek text · Otto 6:94–98

Οἷα γάρ ἐστιν ὑμῶν καὶ τὰ διδάγματα; Τίς οὐκ ἂν χλευάσει τὰς δημοτελεῖς πανηγύρεις ὑμῶν, αἳ προφάσει πονηρῶν δαιμόνων ἐπιτελούμεναι εἰς ἀδοξίαν τοὺς ἀνθρώπους περιτρέπουσιν; Εἶδόν τινα πολλάκις, καὶ ἰδὼν ἐθαύμασα, καὶ μετὰ τὸ θαυμάσαι κατεφρόνησα, πῶς ἔσωθεν μέν ἐστιν ἄλλος, ἔξωθεν δὲ ὅπερ οὐκ ἔστι ψεύδεται, ἁβρυνόμενον σφόδρα καὶ παντοίως διακλώμενον, καὶ τοῦτο μὲν τοῖς ὀφθαλμοῖς μαρμαρύττοντα, τοῦτο δὲ τὼ χεῖρε λυγιζόμενον, καὶ διὰ πηλίνης ὄψεως δαιμονῶντα, καὶ ποτὲ μὲν ὡς Ἀφροδίτην, ποτὲ δὲ ὡς Ἀπόλλωνα γινόμενον, ἕνα κατήγορον πάντων τῶν θεῶν, δεισιδαιμονίας ἐπιτομήν, διάβολον ἡρωϊκῶν πράξεων, φόνων ὑποκριτήν, μοιχείας ὑπομνηματιστήν, θησαυρὸν μανίας, κιναίδων παιδευτήν, καταδικαζομένων ἀφορμήν, καὶ τὸν τοιοῦτον ὑπὸ πάντων ἐπαινούμενον. Ἐγὼ δὲ αὐτὸν παρῃτησάμην πάντα ψευδόμενον, καὶ τὴν ἀθεότητα καὶ τὰ ἐπιτηδεύματα καὶ τὸν ἄνθρωπον. Ὑμεῖς δὲ ὑπὸ τούτων συλαγωγεῖσθε, καὶ τοὺς μὴ κοινωνοῦντας ὑμῶν ταῖς πραγματείαις λοιδορεῖτε. Κεχηνέναι πολλῶν ᾀδόντων οὐ θέλω, καὶ τῷ νεύοντι καὶ κινουμένῳ παρὰ φύσιν οὐ βούλομαι συνδιατίθεσθαι. Τί θαυμαστὸν ἢ παρʼ ὑμῖν ἐξῃρημένον διαπράττεται; Ῥιναυλοῦσι τὰ αἰσχρά, κινοῦνται δὲ κινήσεις ἃς οὐκ ἐχρῆν, καὶ τοὺς ὅπως δεῖ μοιχεύειν ἐπὶ τῆς σκηνῆς σοφιστεύοντας αἱ θυγατέρες ὑμῶν καὶ οἱ παῖδες θεωροῦσι. Καλὰ παρʼ ὑμῖν τὰ ἀκροατήρια, κηρύττοντα πάνθʼ ἅπερ ἐν νυκτὶ μοχθηρῶς πραγματεύεται καὶ τέρποντα τοὺς ἀκροατὰς αἰσχρῶν λόγων ἐκφωνήμασι. Καλοὶ δέ εἰσιν ὑμῶν καὶ οἱ ποιηταὶ ψευδολόγοι, καὶ διὰ σχημάτων ἐξαπατῶντες τοὺς ἀκροωμένους.

English · Claude translation

And what sort of things are your teachings? Who would not mock your public festivals, which are held in honor of wicked demons and bring people into disgrace? I have often seen a man (and seeing him I wondered, and after wondering I despised him) who is one thing inside and outside feigns to be what he is not: utterly effeminate, twisting himself in every direction, now flashing his eyes, now writhing his hands, raving behind a mask of clay, becoming now Aphrodite, now Apollo; a single accuser of all the gods, an epitome of superstition, a slanderer of heroic deeds, an actor of murders, a chronicler of adultery, a storehouse of madness, a teacher of catamites, an instigator of condemnations; and such a man is praised by all. But I have rejected him, liar in everything as he is: his godlessness, his practices, and the man himself. You, though, are carried off captive by these people, and you revile those who do not share in your pursuits. I have no wish to gape at a chorus of singers, and I will not be swept along in sympathy with a man who nods and gesticulates against nature. What wonderful or exceptional thing is done among you? They pipe obscenities through their noses, they make movements they should not, and your daughters and sons watch them teaching on the stage how to commit adultery. Fine indeed are your auditoriums, which proclaim everything wickedly done at night and delight their hearers with shameful words! Fine too are your lying poets, who deceive their hearers with their figures!

About this passage

Source
Otto 6:94–98 · Johann Carl Theodor Otto, ed., Tatiani Oratio ad Graecos, Corpus apologetarum Christianorum saeculi secundi 6 (Jena: Mauke, 1851) · Greek text: J. C. T. Otto, Tatiani Oratio ad Graecos (Corpus apologetarum Christianorum saeculi secundi 6, 1851), digitized by the Perseus Digital Library and published by the First Thousand Years of Greek project (Open Greek and Latin), CC BY-SA 4.0
Text
As printed in Otto, CorpApol 6. Manuscript variants and the editor's apparatus are not reproduced; no textual problem is noted in this passage.
Translation
Claude translation (claude-opus-5-5), 2026-09-26 · Translated by Claude from the Greek text of Otto (1851); made independently of existing English translations.
Compare
Ante-Nicene Fathers, vol. 2 (1885) (an older public-domain English translation, whole volume at CCEL; checked against ours only after ours was made)
Topics
Ethics

Notes

Translation notes

  • The performer described is a pantomime dancer, who acted every part in a mask, accompanied by a chorus.

Notes on the original text

  • Digital text corrected (accent: grave on αἳ before a following word): αἵ προφάσει → αἳ προφάσει.

Cite this passage

Tatian, Or. Graec. 22 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/tatian-oration/22/).

Plain text
Tatian, Or. Graec. 22 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/tatian-oration/22/).

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