On the Shows 8

Summary: Every part of the circus is dedicated to some god, yet places defile no one of themselves; what defiles is taking part in what is done there, as a spectator or worshipper.

Textual problem in this passage: the printed text is uncertain or disputed here. See the notes.

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Latin text · CSEL 20:9–10

Ut et de locis secundum propositum exequar, circus Soli principaliter consecratur. cuius aedes in medio spatio et effigies de fastigio aedis emicat, quod non putauerunt sub tecto consecrandum quem in aperto habent. qui spectaculum primum a Circa [habent] Soli patri suo, ut uolunt, editum affirmant, ab ea et circi appellationem argumentantur. plane uenefica eis utique negotium gessit hoc nomine, quorum sacerdos erat, daemoniis et angelis scilicet. quot igitur in habitu loci illius idololatrias recognoscis? singula ornamenta circi singula templa sunt. oua honori Castorum adscribunt qui illos otio editos credendo de cygno Ioue non erubescunt. delphines Neptuno uomunt, columnae Sessias a sementationibus, Messias a messibus, Tutulinas a tutela fructuum sustinent; ante eas [tres arae, trinis deis parent, Magnis Potentibus Valentibus. eosdem Samothracas existimant. obelisci enormitas, ut Hermateles affirmat,, Soli prostituta. scriptura eius unde eius et census: de Aegypto superstitio est. frigebat daemonum concilium sine sua Matre Magna; ea itaque illic praesidet euripo. Consus, ut diximus apud metas, sub terra delitescit Murcias. eas quoque idolum fecit: Murciam enim deam amoris uolunt, cui in illa parte aedem uouerunt. animaduerte, Christiane, quot nomina inmunda possederint circum. aliena est tibi religio, quam tot diaboli spiritus occupauerunt. de locis quidem locus est retractandi ad praeueniendam quorundam interrogationem. quid enim, inquis, si alio in tempore circum adiero, periclitabor de inquinamento? nulla est praescriptio de locis. nam non sola ista conciliabula spectaculorum, sed etiam templa ipsa sine periculo disciplinae adire seruus dei potest urguente causa simplici dumtaxat, quae non pertineat ad proprium eius loci negotium uel officium. ceterum et plateae et forum et balneae et stabula et ipsae domus nostrae sine idolis omnino non sunt: totum saeculum satanas et angeli eius repleuerunt. non tamen quod in saeculo sumus, a deo excidimus, sed si quid de saeculi criminibus attigerimus. proinde si Capitolium, si Serapeum sacrificator uel adorator intrauero, a deo excidam, quemadmodum circum uel theatrum spectator. loca nos non contaminant per se, sed quae in locis fiunt, a quibus et ipsa loca contaminari altercati sumus: de contaminatis contaminamur. propterea autem commemoramus, quibus eiusmodi loca dicentur, ut eorum demonstremus esse quae in iis locis fiunt, quibus ipsa loca dicantur.,

English · Claude translation

To follow my plan in the matter of places too: the circus is chiefly consecrated to the Sun. His temple stands in the middle of the course, and his image shines from the top of the temple, because they did not think it fitting to consecrate under a roof one whom they have in the open. Those who maintain that the first show was given by Circe to the Sun, her father, as they would have it, argue that the name circus comes from her. Plainly the sorceress did this business under this name for those whose priestess she was, namely demons and angels. How many idolatries, then, do you recognize in the furnishing of that place? Each ornament of the circus is a temple. The eggs they ascribe to the honor of the Castors, not blushing to believe them hatched from the egg of Jupiter the swan. The dolphins spout for Neptune; the columns bear Seia, named from sowing, Messia, from harvest, and Tutulina, from the protection of the crops; in front of them three altars serve three gods, the Great, the Mighty, and the Strong; they think these are the Samothracian gods. The huge obelisk, as Hermateles affirms, is prostituted to the Sun; its inscription, like its origin, is Egyptian superstition. The council of demons would have been cold without their Great Mother; so she presides there over the channel. Consus, as we said, lies hidden underground at the turning-posts. The Murciae too an idol has claimed: for they hold Murcia to be a goddess of love, to whom they vowed a temple in that part. Take note, Christian, how many unclean names have taken possession of the circus. That religion is foreign to you which so many spirits of the devil have seized. As to places, this is the point at which to forestall a question some people raise. “What,” you say, “if I go to the circus at another time: shall I be in danger of defilement?” There is no rule about places as such. For not only these meeting places of the shows, but even the temples themselves the servant of God may enter without danger to his discipline, if some plain reason compels him, one that has nothing to do with the proper business or function of that place. Besides, the streets, the forum, the baths, the inns, and our very houses are not altogether without idols: Satan and his angels have filled the whole world. Yet it is not because we are in the world that we fall away from God, but if we touch any of the world's crimes. So if I enter the Capitol or the Serapeum as a sacrificer or worshipper, I shall fall away from God, just as I would by entering the circus or the theatre as a spectator. Places do not defile us of themselves, but what is done in the places, by which, as we have argued, even the places themselves are defiled: we are defiled by what is defiled. We mention to whom such places are dedicated precisely in order to show that what is done in them belongs to those to whom the places themselves are dedicated.

About this passage

Source
CSEL 20:9–10 · August Reifferscheid and Georg Wissowa, eds., Quinti Septimi Florentis Tertulliani Opera, Pars 1, CSEL 20 (Prague: Tempsky; Vienna: Tempsky; Leipzig: Freytag, 1890), 1–29 · Latin text: August Reifferscheid and Georg Wissowa (CSEL 20), digitized by Open Greek and Latin, University of Leipzig (csel-dev), CC BY-SA 4.0
Text
As printed in CSEL 20. Manuscript variants and the editor's apparatus are not reproduced; the problem in this passage is discussed in the notes.
Translation
Claude translation (claude-opus-5-5), 2026-09-27 · Translated by Claude from the Latin text of CSEL 20; made independently of existing English translations.
Compare
Ante-Nicene Fathers, vol. 3 (1885) (an older public-domain English translation, whole volume at CCEL; checked against ours only after ours was made)
Topics
Ethics

Notes

Translation notes

  • Hermateles is otherwise unknown (perhaps Hermapion, who translated an obelisk inscription). The editor deletes habent after a Circa; it is not translated. The opening bracket before tres arae appears to be a stray mark in the digital text.

Notes on the original text

  • Digital text corrected (doubled syllable in the digital text; misread letter in the digital text; stray character in the digital text; word split in the digital text): idololattias → idololatrias; simpli ci → simplici; -totum saeculum → totum saeculum; quemadmodum- modum → quemadmodum.

Cite this passage

Tertullian, Spect. 8 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/tertullian-spectaculis/8/).

Plain text
Tertullian, Spect. 8 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/tertullian-spectaculis/8/).

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