On the Life of Moses 373–389

Greek text: PG 44.English: Claude (claude-opus-5-5), public domain (CC0).

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Chapter 373

373PG 44:373a–373d

3Ἱὸ ρίας τάξιν τῇ άναγωγικῇ προσαρμόσαι τὸ νόημα. Ἐπειδὰν γαρ ὁ πρὸς τὸν Μωῦσέα κα) τὴν νεφέλην βλέπων, διʼ ὧν ἀμφοτέρων γίνεται τοῖς κατʼ ἀρετὴν προϊοῦσιν ἡ ὁδηγία· εἴη δʼ ἂν ὲν τῷ μέρει τούτῳ Μωῢσῆς μὲν, τὰ νομικὰ παραγγέλματα, νεφέλη δὲ προκαθηγουμένη τοῦ νόμου · ὃς διανοίᾳ. κεκαθαρμένη ἐν τῇ διαβάσει τοῦ ὓδατος, νεκρὼσας τε καὶ ἀποκρίνας ἑαυτοῦ τὸ ἀλλόφυλον, γεύσεταί τε τῆς μερῥᾶς, τουτέστι, τοῦ κεχωρισμένον τῶν ἡδονῶν βίου, ὂ πικρόν τε καὶ ἀηδὲς παρὰ τὴν πρώτην τοῖς γευσαμένοις φαινόμενον, γλυκεῖαν παρέχει τοῖς τὸ ξύλον παραδεξαμένοις τὴν αίσθησιν ο εἶτα τοῖς κάλλεσι τῶν φοινίκων τῶν εὑαγγελικῶν κα) τῶν πηγῶν ἐντρυφήσας, καὶ τοῦ ζῶντος ὓδατος, ὅπερ ἐστὶν ἡ πέτρα, πλήρης γενόμενος, τόν τε οὐράνιον άρτον ἐν ἑαυτῷ I‘ λαβὼν, καὶ κατὰ τῶν ἀλλοφύλων ἀνδρισάμενος, ᾧ τῆς νίκης αίτία, ἡ ἕκτασις τῶν χειρῶν τοῦ νομοθέτου γίνεται, ἡ τὸ μυστήριον τοῦ σταυροῦ προδεικνύουσα τότε προσάγεται τῇ τῆς ὑπερκειμένης φύσεως θεωρίᾳ. Ὀδὸς δὲ αὑτῷ πρὸς τὴν τοιαύτην γνῶσιν, καθαρότης γίνεται, οὑ τοῦ σώματος μόνον, περιρραντηρίοις τισὶν ἀφαγνισθέντος, ἀλλὰ καὶ τῶν ἐνδυμάτων πάσης κηλῖδος ἀποκλυσθέντων τῷ ὕδατι. Τοῦτο δέ ἐστι τὸ διὰ πάντων καθαρεῦσαι δεῖν τὸν μέλλοντα προσβαίνειν τῇ τῶν ὄντων θεωρία, ὼς καὶ ψυχῇ καὶ σώματι καθαρὸν εἶναι καὶ ἀκηλίδωτον,τὸν ὲν ἑκατέρῳ ῥύπον καταλλήλως ἀπκλυσάμενον ’ ὡς ἂν καθαροὶ καὶ τῷ τὸ κρυπτὸν ὁρῶντι φανείημεν, καὶὴ κατὰ τὸ φαινόμενον εὐσχημοσύνη τῇ ἔνδοθεν τῆς ψυχῆς διαθέσει συμβαίνοι. Διὰ τοῦτο πρὸ τῆς ἐπὶ τὸ ὄρος ἀνόδου, τῷ θείῳ προστάγματιτά ἱμάτια πλύνεται, τῆς εὐσχήμονος τοῦ βίου περιβολῆς παραδηλουμένης ἡμῖν τῷ τῶν ἱματίων αἰνίγματι. Οὑ γάρ ἄν τις εἴποι, τὸν αίσθητὸν τοῦτον ῥύπον τῶν ἱματίων, ἐμπόδιον τῆς ἀνόδου τοῖς πρὸς τὸν Θεὸν ἀνιοῦσι γίνεσθαι ἀλλʼ οἶμαι καλῶς τὸ ἱμάτιον τὴν τῶν κατά τὸν βίον τοῦτον ἐπιτηδευμάτων περιβολὴν ὀνομάζεσθαι. Τούτου δὲ κατορθωθέντος, καὶ τῆς τῶν ἀλόγων ἀγέλης ποῤρωτάτω τοῦ ὅρους ἀπελαθείσης, οὑτω προσβαίνει τῇ ἀναβάσει τῶν ὑψηλῶν νοημάτων. Τὸ δὲ μηδὲν τῶν ἀλόγων συγχωρῆσαι ἐπὶ τοῦ ὅρους φαίνεσθαι, σημαίνει, κατά τὴν ἡμετέραν ὑπόληψιν, τὸ ὑπερ· βῆναι τὴν ἐξ αἰσθήσεως γενομένην γνῶσιν ὲν τῇ τῶν νοητῶν θεωρίᾳʼ ἴδιον γὰρ τῆς τῶν ἀλόγων φύσεως, τὸ κατʼ αἴσθησιν μόνην δίχα διανοίας οίκονομεῖσθαι. Ἐκείνων καθηγεῖται ἡ ὅρασις, καὶ ἡ ἀκοὴ πολλάκις πρός τι τὴν ὁρμὴν παρεκίνησε. Καὶ τά ἄλλα πάντα, διʼ ὧν ἐνεργὸς ἠ αἴσθησις γίνε- · ται, πολλὴν ὲν τοῖς ἀλόγοις ἔχει τὴν χώραν. Ἠ δὲ τοῦ θεοῦ θεωρία, οὔτε κατὰ τὸ φαινόμενον, οὔτε κατᾶ Ὄρος γάρ ἐστιν ἄναντες ὼς ἀληθῶς καὶ δυσπρόσιτοι

3Hio rias taxin tę̄ anagōgikę̄ prosarmosai to noēma. Epeidan gar ho pros ton Mōysea ka) tēn nephelēn blepōn, diʼ hōn amphoterōn ginetai tois katʼ aretēn proïousin hē hodēgia; eiē dʼ an en tǭ merei toutǭ Mōÿsēs men, ta nomika parangelmata, nephelē de prokathēgoumenē tou nomou ; hos dianoią. kekatharmenē en tę̄ diabasei tou hydatos, nekrōsas te kai apokrinas heautou to allophylon, geusetai te tēs merrhas, toutesti, tou kechōrismenon tōn hēdonōn biou, o pikron te kai aēdes para tēn prōtēn tois geusamenois phainomenon, glykeian parechei tois to xylon paradexamenois tēn aisthēsin o eita tois kallesi tōn phoinikōn tōn heuangelikōn ka) tōn pēgōn entryphēsas, kai tou zōntos hydatos, hoper estin hē petra, plērēs genomenos, ton te ouranion arton en heautǭ I‘ labōn, kai kata tōn allophylōn andrisamenos, hǭ tēs nikēs aitia, hē hektasis tōn cheirōn tou nomothetou ginetai, hē to mystērion tou staurou prodeiknyousa tote prosagetai tę̄ tēs hyperkeimenēs physeōs theōrią. Odos de hautǭ pros tēn toiautēn gnōsin, katharotēs ginetai, hou tou sōmatos monon, perirrantēriois tisin aphagnisthentos, alla kai tōn endymatōn pasēs kēlidos apoklysthentōn tǭ hydati. Touto de esti to dia pantōn kathareusai dein ton mellonta prosbainein tę̄ tōn ontōn theōria, ōs kai psychę̄ kai sōmati katharon einai kai akēlidōton,ton en hekaterǭ rhypon katallēlōs apklysamenon ’ hōs an katharoi kai tǭ to krypton horōnti phaneiēmen, kaiē kata to phainomenon euschēmosynē tę̄ endothen tēs psychēs diathesei symbainoi. Dia touto pro tēs epi to oros anodou, tǭ theiǭ prostagmatita himatia plynetai, tēs euschēmonos tou biou peribolēs paradēloumenēs hēmin tǭ tōn himatiōn ainigmati. Hou gar an tis eipoi, ton aisthēton touton rhypon tōn himatiōn, empodion tēs anodou tois pros ton Theon aniousi ginesthai allʼ oimai kalōs to himation tēn tōn kata ton bion touton epitēdeumatōn peribolēn onomazesthai. Toutou de katorthōthentos, kai tēs tōn alogōn agelēs porrōtatō tou horous apelatheisēs, houtō prosbainei tę̄ anabasei tōn hypsēlōn noēmatōn. To de mēden tōn alogōn synchōrēsai epi tou horous phainesthai, sēmainei, kata tēn hēmeteran hypolēpsin, to hyper; bēnai tēn ex aisthēseōs genomenēn gnōsin en tę̄ tōn noētōn theōriąʼ idion gar tēs tōn alogōn physeōs, to katʼ aisthēsin monēn dicha dianoias oikonomeisthai. Ekeinōn kathēgeitai hē horasis, kai hē akoē pollakis pros ti tēn hormēn parekinēse. Kai ta alla panta, diʼ hōn energos ē aisthēsis gine- ; tai, pollēn en tois alogois echei tēn chōran. Ē de tou theou theōria, oute kata to phainomenon, oute kata Oros gar estin anantes ōs alēthōs kai dysprositoi

For one who looks to Moses and to the cloud — through both of whom guidance comes to those who advance in virtue: in this part Moses would be the commands of the law, and the cloud the guidance that goes before the law — he, with his mind cleansed in the crossing of the water, having put to death and separated from himself what is foreign, tastes Marah, that is, the life separated from pleasures, which at first seems bitter and unpleasant to those who taste it but gives a sweet sensation to those who have accepted the wood. Then, after delighting in the beauties of the gospel palms and springs, being filled with the living water, which is the rock, taking the heavenly bread into himself, and showing his manhood against the foreigners — the cause of his victory being the outstretched hands of the lawgiver, which foreshow the mystery of the cross — he is then brought to the contemplation of the transcendent nature. The road to such knowledge is purity for him: purity not only of the body, cleansed by certain sprinklings, but also of the garments, washed in water from every stain. This means that whoever is to approach the contemplation of what is must be pure in all respects, so as to be pure and spotless in both soul and body, having washed away the dirt of each in the fitting way, so that we may appear pure also to him who sees what is hidden, and our outward decorum may agree with the inner disposition of the soul. For this reason, before the ascent of the mountain, the garments are washed at the divine command, the riddle of the garments showing us the decorous covering of life. No one would say that this visible dirt on garments becomes a hindrance to the ascent for those going up to God; rather, I think, the garment fittingly names the covering of the pursuits of this life. When this has been achieved, and the herd of irrational animals has been driven far from the mountain, he then approaches the ascent of lofty thoughts. That no irrational animal is allowed to appear on the mountain signifies, in our understanding, that in the contemplation of intelligible things one goes beyond the knowledge that comes from the senses. For it is proper to the nature of irrational animals to be governed by sense alone, without thought: sight leads them, and hearing often stirs their impulse toward something, and all the other means by which sense becomes active have much room among irrational animals. But the contemplation of God, neither according to what appears nor according to … For it is truly a steep and hard-to-approach mountain,

Textual problem in this passage: see the notes.

Exod 15:23–25 (allusion, high confidence) · Exod 19:10–14 (allusion, high confidence) · Matt 6:4 (allusion, medium confidence) · 1 Cor 10:4 (allusion, medium confidence)

Notes and citation

Summary: Gregory sums up the journey so far and turns to Sinai: the washing of garments signifies purity of life inside and out, and the exclusion of animals from the mountain signifies rising above sense-knowledge to contemplate God.

  • Exod 19:10–14 (washing garments), 19:12–13 (no animal on the mountain). “Him who sees what is hidden”: Matt 6:4, 6. The rock as living water: 1 Cor 10:4; John 4:10.
  • Before “For it is truly a steep … mountain” some lines are lost in the scan (marked …); the sense is that the contemplation of God is not reached by sight or hearing.

Notes on the original text

  • Digital text corrected (OCR debris (Latin letters) for ἐστι): Τοῦτο δέ sim,- → Τοῦτο δέ ἐστι.

Cite (SBL): Gregory of Nyssa, Vit. Mos. 373 (PG 44:373a–373d; trans. Sophia Scriptura, https://sophiascriptura.com/fathers/gregory-nyssa-vita-moysis/373/#p-373). (abbreviation not yet checked)

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Translation: Translated by Claude from the Migne PG 44 scan text (cited by Migne column); no public-domain English or FOTC volume exists, so it was re-read against the Greek.

Chapter 375

375PG 44:376a–376d

5 θεολογία, ἦς μόλις 6 πολὺς λεὼς τὴν ὑπώρειαν φθάνει (εἰ δέ τις Μωῦσῆς εἴη, γένοιτο ἂν καὶ ἐπὶ τῆς ἀνόδου, χωρῶν τῇ ἀκοῆ τὰς τῶν σαλπίγγων φωνὰς, ἃς φησιν 6 τῆς ἱστορίας λόγος, ἰσχυροτέρας ὲν τῷ προβαίνειν γίνεσθαι)’ άληθῶς σάλπιγξ ή τὴν ἀκοὴν καταπλήττουσα, τὸ περί τῆς θείαςφύσεως κήρυγμα, μέγα μὲν καὶ παρά τὴν πρώτην φαινόμενον, μεῖζον δὲ καὶ μᾶλλον τῆς ἀκοῆς καθικνούμενον, ἓν τοῖς τελευταίοις. Ἑσάλπισεν 6 νόμος καὶ οἱ προφῆται τὸ θεῖον τῆς κατὰ ἄνθρωπον οἰκονομίας μυστήριον ἀλλʼ ἀσθενέστεραι ἦσαν αἰ πρῶται φωναὶ, ἢ ὥστε καθικνεῖσθαι τῆς άπειθοῢς ἀκοῆς. Διὸ ἡ βαρυηκοῖα τῶν Ἰουδαίων, τὴν φωνὴν τῶν σαλπίγγων ού παρεδέξατο. Προβαίνουσαι δὲ, καθώς φησιν 6 λόγος, αἱ σάλπιγγες, ἐγένοντο ἰσχυρότεραι. Αἰ γὰρ τελευταῖαι φωναὶ αἱ διὰ τῶν εὑαῃελικῶν κηρυγμάτων γεγενημέναι, καθίκοντο τῆς ἀκοῆς οὕτω τοῦ πνεύματος [τῷ] διά τῶν ὁργάνων ὴχοΰντος γενναιότερον ὲν τοῖς ἐφεξῆς, καὶ εὐτονώτερον ποιουμένου τὸν ἦχον. Ὄργανα δʼ ἂν εἷεν ἕνα πνευματικὸν φθόγγονἰῖχούντα, προφῆται καὶ ἁπόστολοι· ὧν, καθώς φησιν ή ψαλμῳδία, εἰς πᾶσαν τὴν γῆν ἐξῆλθεν 6 φθόγγος αὐτῶν, καὶ εἰς τὰ πέρατα τῆς οἰκουμένης τὰ ῥήματα αὐτῶν. Et δὲ οὑ χωρεῖ τὸ πλῆθος τὴν ἄνωθεν γινομένην φωνὴν, ἀλλʼ ἐπιτρέπει τῷ Μωῦσεῖ, γνῶναι μὲν διʼ αὐτοῦ τὰ ἀπόρρητα, διδάξαι δὲ τὸν λαὸν, ὅπερ ἂν διὰ τῆς ἀνωθεν διδασκαλίας τύχῃ μαθὼν δόγμα, καὶ τοῦτο τῶν κατά τὴνἚκκλησίαν διοικουμένων ὲστί· τὸ μὴ πάντας ἑαυτοὺς εἰσωθεῖν πρὸς τὴν τῶν μυστηρίων κατάληψιν, ἀλλʼ ὲπιλέξαντας ἐξ ἑαυτῶν τὸν χωρῆσαι τὰ θεῖα δυνάμενον, ἐκείνῳ τὴν ἀκοὴν εὐγνωμόνως ὑπέχειν, πιστὸν ἡγουμένους ἅπαν, ὅτιπερ ἂν παρὰ τοῦ τὰ θεῖα μυηθέντος ἀκούσωσιν. ι Οὐ πάντες γὰρ, ι φησὶν, ι ἀπόστολοι, οὐδὲ πάντες προφῆται. ι Τοῦτο δὲ οὐκ ἔστι νῦν ἐν ταῖς πολλαῖς τῶν Ἐκκλησιῶν φυλασσόμενον. Πολλοὶ γὰρ καθαρσίων ἔτι ἐκ τῶν βεβιωμένων αὐτοῖς δεόμενοι, ἄπλυτοί τινες καὶ κατεσπιλωμένοι τῇ τοῦ βίου περιβολῇ, τὴν ἄλογον αἴσθησιν αὐτῶν προβαλόμενοι, τῆς θείας ἀνόδου κατατολμῶσιν, ὅθεν αὐτοὶ τοῖς ἰδίοις αὐτῶν λογισμοῖς κατασαλεύονται. Ai γὰρ αἱρετικαὶ ὑπολήψεις, λίθοι τινὲς ἀτεχνῶς εἰσιν αὐτὸν τὸν εύρετὴν τῶν πονηρῶν δογμάτων καταχωννύντες. Τί δὲ δὴ βούλεται τὸ ἐντὸς τοῦ γνόφου γενέσθαι τὸν Μωῦςέα, καὶ οὕτως ὲν αὐτῷ τὸν Θεὸν ἰδείν; Ἐναντίον γὰρ δοκεῖ πως εἶναι τῇ πρώτῃ θεοφανείᾳ τὸ νῦν ἱστορούο μενον· τότε μὲν γὰρ ἐν φωτὶ, νῦν δὲ ὲν γνόφῳ τὸ Θείον. Μηδὲ τοῦτο τοῦ εἰρμοῦ τῶν κατά ἀναγωγὴν ἡμῖν θεωρηθέντων ἀπᾴδειν νομίσωμεν. Διδάσκει δὲ διὰ τούτων 6 λόγος, ὅτιὴ γνῶσις τῆς εὐσεβείας φῶς γίνεται παρὰ τὴν πρώτην οἷς ἀν ἐγγίνηται. Διότι τὸ ἐξ ἐναντίας τῇ εὐσεβείᾳ νοούμενον, σκότος ἐστίν· ή δὲ ἀποστροφὴ τοῦ σκότους, τῇ μετουσίᾳ τοῦ φωτὸς γίνεται. Προϊὼν δὲ 6 νοῦς, καὶ διὰ μείζονος ἀεὶ καί τελειοτέρας προσοχῆς ἐν περινοίᾳ γινόμενος τῆς ὅντως κατανοήσεως, ὅσῳ προσεγγίζει μᾶλλον τῇ θεωρίᾳ, τοσούτῳ πλέον όρᾷ τὸ τῆς θεέας φύσεως ἀθεώρητον. Καταλιπὼν γάρ πᾶν τὸ φαινόμενον, οὐ μόνον ὅσα καταλαμβἀνει

5 theologia, ēs molis 6 polys leōs tēn hypōreian phthanei (ei de tis Mōysēs eiē, genoito an kai epi tēs anodou, chōrōn tę̄ akoē tas tōn salpingōn phōnas, has phēsin 6 tēs historias logos, ischyroteras en tǭ probainein ginesthai)’ alēthōs salpinx ē tēn akoēn kataplēttousa, to peri tēs theiasphyseōs kērygma, mega men kai para tēn prōtēn phainomenon, meizon de kai mallon tēs akoēs kathiknoumenon, hen tois teleutaiois. Hesalpisen 6 nomos kai hoi prophētai to theion tēs kata anthrōpon oikonomias mystērion allʼ asthenesterai ēsan ai prōtai phōnai, ē hōste kathikneisthai tēs apeithoÿs akoēs. Dio hē baryēkoia tōn Ioudaiōn, tēn phōnēn tōn salpingōn ou paredexato. Probainousai de, kathōs phēsin 6 logos, hai salpinges, egenonto ischyroterai. Ai gar teleutaiai phōnai hai dia tōn heuaę̄elikōn kērygmatōn gegenēmenai, kathikonto tēs akoēs houtō tou pneumatos [tǭ] dia tōn horganōn ēchoÿntos gennaioteron en tois ephexēs, kai eutonōteron poioumenou ton ēchon. Organa dʼ an heien hena pneumatikon phthongoniichounta, prophētai kai hapostoloi; hōn, kathōs phēsin ē psalmǭdia, eis pasan tēn gēn exēlthen 6 phthongos autōn, kai eis ta perata tēs oikoumenēs ta rhēmata autōn. Et de hou chōrei to plēthos tēn anōthen ginomenēn phōnēn, allʼ epitrepei tǭ Mōysei, gnōnai men diʼ autou ta aporrēta, didaxai de ton laon, hoper an dia tēs anōthen didaskalias tychę̄ mathōn dogma, kai touto tōn kata tēnEkklēsian dioikoumenōn esti; to mē pantas heautous eisōthein pros tēn tōn mystēriōn katalēpsin, allʼ epilexantas ex heautōn ton chōrēsai ta theia dynamenon, ekeinǭ tēn akoēn eugnōmonōs hypechein, piston hēgoumenous hapan, hotiper an para tou ta theia myēthentos akousōsin. i Ou pantes gar, i phēsin, i apostoloi, oude pantes prophētai. i Touto de ouk esti nyn en tais pollais tōn Ekklēsiōn phylassomenon. Polloi gar katharsiōn eti ek tōn bebiōmenōn autois deomenoi, aplytoi tines kai katespilōmenoi tę̄ tou biou peribolę̄, tēn alogon aisthēsin autōn probalomenoi, tēs theias anodou katatolmōsin, hothen autoi tois idiois autōn logismois katasaleuontai. Ai gar hairetikai hypolēpseis, lithoi tines atechnōs eisin auton ton euretēn tōn ponērōn dogmatōn katachōnnyntes. Ti de dē bouletai to entos tou gnophou genesthai ton Mōysea, kai houtōs en autǭ ton Theon idein? Enantion gar dokei pōs einai tę̄ prōtę̄ theophaneią to nyn historouo menon; tote men gar en phōti, nyn de en gnophǭ to Theion. Mēde touto tou eirmou tōn kata anagōgēn hēmin theōrēthentōn apądein nomisōmen. Didaskei de dia toutōn 6 logos, hotiē gnōsis tēs eusebeias phōs ginetai para tēn prōtēn hois an enginētai. Dioti to ex enantias tę̄ eusebeią nooumenon, skotos estin; ē de apostrophē tou skotous, tę̄ metousią tou phōtos ginetai. Proïōn de 6 nous, kai dia meizonos aei kai teleioteras prosochēs en perinoią ginomenos tēs hontōs katanoēseōs, hosǭ prosengizei mallon tę̄ theōrią, tosoutǭ pleon orą to tēs theeas physeōs atheōrēton. Katalipōn gar pan to phainomenon, ou monon hosa katalambanei

theology, whose foot the great mass of people barely reaches. (But if someone is a Moses, he would go up as well, containing in his hearing the sounds of the trumpets, which the account of the history says grew stronger as they went on.) Truly the trumpet that strikes the hearing is the proclamation about the divine nature: great even at first, but greater, and reaching the hearing more, at the last. The law and the prophets trumpeted the divine mystery of the economy in human form; but the first sounds were too weak to reach disobedient hearing. Therefore the dullness of hearing of the Jews did not receive the sound of the trumpets. But as they went on, as the account says, the trumpets grew stronger. For the last sounds, those made through the preaching of the Gospel, reached the hearing, since the Spirit sounding through the instruments made the sound nobler and more intense in what followed. The instruments sounding one spiritual note would be the prophets and apostles, of whom, as the Psalm says, “their sound has gone out into all the earth, and their words to the ends of the world.” And if the multitude cannot contain the voice that comes from above, but entrusts Moses to learn the secrets himself and to teach the people whatever doctrine he learns through the teaching from above, this too belongs to the ordering of the Church: not all thrust themselves forward to grasp the mysteries; they choose from among themselves one who is able to contain the divine things, and willingly lend their hearing to him, holding as trustworthy whatever they hear from the one initiated into divine things. “For not all,” he says, “are apostles, nor all prophets.” This is not kept now in many of the churches. For many who still need purification from their past lives, unwashed and stained in the covering of their life, putting forward their irrational sense, dare the divine ascent; and so they are overthrown by their own reasonings. For heretical conceptions are simply stones that bury the very inventor of the wicked doctrines. What, then, does it mean that Moses came within the darkness and so saw God in it? What is now narrated seems somehow contrary to the first theophany: then the Divine was seen in light, now in darkness. Let us not think that this too is out of harmony with the sequence of our anagogical contemplation. By this the Word teaches that the knowledge of godliness becomes light at first to those in whom it arises; for what is understood as opposed to godliness is darkness, and the turning away from darkness comes about by sharing in light. But as the mind advances, and through ever greater and more perfect attention comes to an understanding of true apprehension, the nearer it approaches contemplation, the more it sees that the divine nature cannot be contemplated. For leaving behind everything that appears — not only what sense grasps

Exod 19:16 (allusion, high confidence) · Exod 19:19 (allusion, high confidence) · Exod 20:18–21 (allusion, high confidence) · Ps 19:4 (18:5 LXX) (quotation, high confidence) · Rom 10:18 (allusion, medium confidence) · 1 Cor 12:29 (quotation, high confidence) · Exod 19:12–13 (allusion, medium confidence)

Notes and citation

Summary: The trumpets growing louder signify the revelation of God, faint in the law and prophets and full in the Gospel; the people’s leaving the mountain to Moses teaches that not all should pry into the mysteries, as heretics do; Moses’ entry into darkness shows that the closer the mind comes to God, the more it sees that he cannot be seen.

  • Exod 19:16, 19; 20:18–21. “Their sound has gone out …”: Ps 19:4 (LXX 18:5), as in Rom 10:18. “Not all are apostles …”: 1 Cor 12:29. Stoning on the mountain: Exod 19:12–13.
  • “The dullness of hearing of the Jews”: polemical, translated as written.
  • The word in square brackets in the printed text after “Spirit” is omitted. This passage on knowing God in darkness is one of the classic statements of Gregory’s apophatic theology.

Topics: Heresy, Church office

Cite (SBL): Gregory of Nyssa, Vit. Mos. 375 (PG 44:376a–376d; trans. Sophia Scriptura, https://sophiascriptura.com/fathers/gregory-nyssa-vita-moysis/373/#p-375). (abbreviation not yet checked)

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Translation: Translated by Claude from the Migne PG 44 scan text (cited by Migne column); no public-domain English or FOTC volume exists, so it was re-read against the Greek.

Chapter 377

377PG 44:377a–377d

ἡ αἴσθησις, ἀλλὰ καὶ ὅσα ἡ διάνοια δοκεῖ βλέπειν· ἀεὶ πρὸς τὸ ἐνδότερον ἵεται, ἕως ἂν διαδυῇ τῇ πολυπραγμοσύνῃ τῆς διανοίας πρὸς τὸ ἀθέατόν τε καὶ ἀκατάληπτον, κάκεῖ τὸν Θεὸν ἴδῃ. Ἐν τούτῳ γὰρ ή ἀληθής ἐστιν είδησις τοῦ ζητουμένου, τὸ ἐντούτῳ τὸ ἰδεῖν, ἐν τῷ μὴ ἰδεῖν · ὅτι ὑπέρκειται πάσης εἰδήσεως τὸ ζητούμενον, οἷόν τινι γνόφῳ τῇ ἁκαταληψίᾳ πανταχόθεν διειλημμένον. Διό φησι καὶ 6 ὑψηλὸς Ἰωάννης. 6 ὲν τῷ λαμπρῷ γνόςςῳ τούτῳ γενόμενος, ὅτι ι Θεὸν οὐδεὶς ἑώρακε πώποτε·› οὐ μόνον τοῖς ἀνθρώποις, ἀλλὰ καὶ πάσῃ νοητῇ φύσει τῆς θείας οὐσίας τὴν γνῶσιν ἀνέφικτον εἶναι, τῇ ἀποφάσει ταύτῃ διοριζόμενος. Ὅτε οὖν μείζων ἐγένετο κατὰ τὴν γνῶσιν 6 Μωῡσῆς, τότε ὁμολογεῖ τὸν Θεὸν ὲν γνόφῳ ἰδεῖν, τουτέστι, τότε γνῶναι, ὅτι ἐκεῖνό ἐστι τῇ φύσει τὸ Θείον, πάσης γνώσεώς τε καὶ καταλήψεώς ἐστιν ἀνώτερον. Εἰσῆλθε γὰρ, φησὶ, Μωῦσῆς εἰς τὸν γνόφον, οῦ ἦν ὁ Θεός. Τίς ὁ Θεός; ὃς ἔθετο τὸ σκότος ἀποκρυφὴν αύτοῦ, καθώς φησι Δαβὶδ, 6 ὲν τῷ αὐτῷ μυηθεὶς τὰ ἀπόρρητα. '0 δὲ ἐκεῖ γεγονὼς, ἃ. προεπαιδεύθη διὰ τοῦ γνόφου, πάλιν διὰ τοῦ γνόφου διδάσκεται ’ ὼς ἂν, οἶμαι, παγιώτερον ἡμῖν τὸ περὶ τούτου γένηται δόγμα, τῇ θείᾳ. φωνῇ μαρτυρούμενον. Ἀπαγορεύει γὰρ ὲν πρώτοις 6 θεῖος λόγος, πρὸς μηδὲν τῶν γινωσκομένων ὁμοιοῦσθαι παρὰ τῶν ἀνθρώπων τὸ Θεῖον ὡς παντὸς νοήματος τοῦ κατά τινα περιληπτικὴν φαντασίαν ὲν περινοίᾳ τινὶ καὶ στοχασςιῷ τῆς φύσεως γινομένου, εῖδωλον Θεοῦ πλάσσοντος καὶ ού Θεὸν καταγγέλλοντος. Διχῆ δὲ τῆς κατʼ εὐσέβειαν ἀρετῆς διῃρημένης, εἴς τε τὸ Θείον, καὶ εἰς τὴν τοῦ ἤθους κατόρθωσιν μέρος γάρ εὐσεβείας, καὶ ἡ τοῦ ἤθους καθαρότης ἐστίʼ μαθὼν ὲν πρώτοις, ἃ χρὴ περὶ Θεοῦ γινώσκειν ο τὸ δέ γε γινώσκειν ἦν, τὸ μηδὲν περὶ αὐτοῦ τῶν ἐξ ἀνθρωπίνης καταλήψεως γινωσκομένων εἰδέναι ο οὕτως τὸ ἓτερον τῆς ἀρετῆς εἶδος διδάσκεται, μανθάνων ἐν οῖοις ἐπιτηδεύμασιν ό, ἐνάρετος κατορθοῦται βίος. Μετὰ τοῦτο ὲν τῇ ἀχειροποιήτῳ σκηνῇ γίνεται. Τίς ἀκολουθήσει τῷ διὰ τῶν τοιούτων ὁδεύοντι, καὶ ἐπὶ τοσοῦτον ύψου μένῳ τὸν νοῦν; ὃς καθάπερ τινὰ γορυφὴν ἐκ κορυφῆς μεταλαμβάνων, διὰ τῆς τῶν ὑψηλῶν ἀναβάσεως, ἀεὶ ἑαυτοῦ γίνεται ὑψηλότερος. Πρῶτον κατέλιπε τὴν ὑπώρειαν, πάντων τῶν πρὸς τὴν ἄνοδον ἀτονησάντων ἀποκριθείς. Εἶτα δέχεται τῇ ἀκοῇ τὰς τῶν σαλπίγγων φωνὰς, τῷ ῦψει τῆς ἀνόδου συνεπαιρόμενος. Ἐπὶ τούτοις, εἰς τὸ ἀόρατον τῆς θεογνωσίας ἄδυτον παραδύεται· καὶ οὐδὲ ὲν τούτῳ μένει, ἀλλʼ ἐπὶ τὴν ἀχειροποίητον μεταβαίνει σκηνήν. Τῷ δντι γὰρ ἐπὶ τοῦτο καταντᾷ τὸ πέρας, ό διὰ τῶν τοιούτων ἀνόδων ὑψούμενος. Δοκεῖ γάρ μοι καὶ καθʼ ἕτερον νοῦν διδάσκαλος ἡ οὐρανία σάλπιγξ τῆς ἐπὶ τὴν όιχει ροποίητον πάροδον τῷ ἐπανιόντι γίνεσθαι. 'll γὰρ τῶν κατʼ οὐρανὸν θαυμάτων διασκευὴ, τὴν ἐκφαινομένην τοῖς οὖσι σοφίαν διαβοῶσα, καὶ τὴν μεγάλην τοῦ Θεοῦ δόξαν τῶν φαινομένων διηγουμένη, κατὰ τὸ εἰρημένον, ὅτι t Οἱ οὐρανοὶ διηγοῦνται δόξαν Θεοῦ · ι αῦτη τῷ τρανῷ τε καὶ εὐήχῳ τῆς διδασκαο

hē aisthēsis, alla kai hosa hē dianoia dokei blepein; aei pros to endoteron hietai, heōs an diadyę̄ tę̄ polypragmosynę̄ tēs dianoias pros to atheaton te kai akatalēpton, kakei ton Theon idę̄. En toutǭ gar ē alēthēs estin eidēsis tou zētoumenou, to entoutǭ to idein, en tǭ mē idein ; hoti hyperkeitai pasēs eidēseōs to zētoumenon, hoion tini gnophǭ tę̄ hakatalēpsią pantachothen dieilēmmenon. Dio phēsi kai 6 hypsēlos Iōannēs. 6 en tǭ lamprǭ gnossǭ toutǭ genomenos, hoti i Theon oudeis heōrake pōpote;› ou monon tois anthrōpois, alla kai pasę̄ noētę̄ physei tēs theias ousias tēn gnōsin anephikton einai, tę̄ apophasei tautę̄ diorizomenos. Hote oun meizōn egeneto kata tēn gnōsin 6 Mōysēs, tote homologei ton Theon en gnophǭ idein, toutesti, tote gnōnai, hoti ekeino esti tę̄ physei to Theion, pasēs gnōseōs te kai katalēpseōs estin anōteron. Eisēlthe gar, phēsi, Mōysēs eis ton gnophon, ou ēn ho Theos. Tis ho Theos? hos etheto to skotos apokryphēn autou, kathōs phēsi Dabid, 6 en tǭ autǭ myētheis ta aporrēta. '0 de ekei gegonōs, ha. proepaideuthē dia tou gnophou, palin dia tou gnophou didasketai ’ ōs an, oimai, pagiōteron hēmin to peri toutou genētai dogma, tę̄ theią. phōnę̄ martyroumenon. Apagoreuei gar en prōtois 6 theios logos, pros mēden tōn ginōskomenōn homoiousthai para tōn anthrōpōn to Theion hōs pantos noēmatos tou kata tina perilēptikēn phantasian en perinoią tini kai stochassiǭ tēs physeōs ginomenou, eidōlon Theou plassontos kai ou Theon katangellontos. Dichē de tēs katʼ eusebeian aretēs dię̄rēmenēs, eis te to Theion, kai eis tēn tou ēthous katorthōsin meros gar eusebeias, kai hē tou ēthous katharotēs estiʼ mathōn en prōtois, ha chrē peri Theou ginōskein o to de ge ginōskein ēn, to mēden peri autou tōn ex anthrōpinēs katalēpseōs ginōskomenōn eidenai o houtōs to heteron tēs aretēs eidos didasketai, manthanōn en oiois epitēdeumasin o, enaretos katorthoutai bios. Meta touto en tę̄ acheiropoiētǭ skēnę̄ ginetai. Tis akolouthēsei tǭ dia tōn toioutōn hodeuonti, kai epi tosouton ypsou menǭ ton noun? hos kathaper tina goryphēn ek koryphēs metalambanōn, dia tēs tōn hypsēlōn anabaseōs, aei heautou ginetai hypsēloteros. Prōton katelipe tēn hypōreian, pantōn tōn pros tēn anodon atonēsantōn apokritheis. Eita dechetai tę̄ akoę̄ tas tōn salpingōn phōnas, tǭ ypsei tēs anodou synepairomenos. Epi toutois, eis to aoraton tēs theognōsias adyton paradyetai; kai oude en toutǭ menei, allʼ epi tēn acheiropoiēton metabainei skēnēn. Tǭ dnti gar epi touto katantą to peras, o dia tōn toioutōn anodōn hypsoumenos. Dokei gar moi kai kathʼ heteron noun didaskalos hē ourania salpinx tēs epi tēn oichei ropoiēton parodon tǭ epanionti ginesthai. 'll gar tōn katʼ ouranon thaumatōn diaskeuē, tēn ekphainomenēn tois ousi sophian diaboōsa, kai tēn megalēn tou Theou doxan tōn phainomenōn diēgoumenē, kata to eirēmenon, hoti t Hoi ouranoi diēgountai doxan Theou ; i autē tǭ tranǭ te kai euēchǭ tēs didaskao

but also whatever the mind thinks it sees, the mind always presses farther in, until by the intensity of its searching it slips through to what is unseen and incomprehensible, and there sees God. For the true knowledge of what is sought lies in this, and the seeing consists in this: in not seeing. For what is sought transcends all knowledge, enclosed on every side by incomprehensibility as by a darkness. Therefore the lofty John too, who was in this luminous darkness, says, “No one has ever seen God,” defining by this negation that knowledge of the divine essence is beyond the reach not only of human beings but of every intelligible nature. So when Moses had grown greater in knowledge, he then confesses that he saw God in darkness, that is, he then came to know that the Divine is by nature that which is above all knowledge and comprehension. For “Moses entered,” it says, “into the darkness where God was.” Who is God? “He who made darkness his hiding place,” as David says, who was initiated into the secrets in the same sanctuary. When he arrived there, he is taught again through the darkness what he had already been taught through the darkness, so that, I think, the doctrine about this might become firmer for us, being attested by the divine voice. For the divine word forbids, first of all, that the Divine be likened by human beings to any of the things that are known, since every concept that arises from some comprehensive image, by way of conjecture and guesswork about the nature, fashions an idol of God and does not proclaim God. The virtue of godliness is divided in two: what concerns the Divine, and the right ordering of character — for purity of character is also a part of godliness. Having learned first what must be known about God (and to know was to know nothing about him of what is known by human comprehension), he is then taught the other form of virtue, learning by what pursuits the virtuous life is achieved. After this he comes into the tabernacle not made with hands. Who will follow one who journeys through such places and is raised so high in mind? Taking, as it were, peak after peak, by his ascent through lofty things he always becomes higher than himself. First he left the foot of the mountain, separated from all who were too weak for the ascent. Then he receives with his hearing the sounds of the trumpets, raised up along with the height of the ascent. After this he slips into the invisible sanctuary of the knowledge of God; and he does not stay even there, but passes on to the tabernacle not made with hands. Truly whoever is raised through such ascents arrives at this end. For it seems to me that in another sense too the heavenly trumpet becomes, for the one who ascends, a teacher of the way into what is not made with hands. For the arrangement of the wonders in the heavens, which proclaims the wisdom displayed in the things that are and tells the great glory of God through what appears — as it is said, “The heavens declare the glory of God” — by the clarity and resonance of its teaching

John 1:18 (quotation, high confidence) · Exod 20:21 (quotation, high confidence) · Ps 18:11 (17:12 LXX) (quotation, high confidence) · Exod 20:4 (allusion, medium confidence) · Heb 9:11 (allusion, medium confidence) · Ps 19:1 (18:2 LXX) (quotation, high confidence)

Notes and citation

Summary: Seeing God consists in not seeing, for God is beyond all knowledge, as Moses learned in the darkness; any concept that claims to grasp God is an idol; Moses rises from peak to peak, from the darkness to the heavenly tabernacle.

  • “No one has ever seen God”: John 1:18. “Moses entered into the darkness where God was”: Exod 20:21. “He who made darkness his hiding place”: Ps 18:11 (LXX 17:12). “The heavens declare the glory of God”: Ps 19:1 (LXX 18:2). The tabernacle not made with hands: Heb 9:11.
  • A classic passage of Gregory’s apophatic theology (knowledge of God by unknowing); translated as written.

Notes on the original text

  • Digital text corrected (OCR debris for ὁ Θεός): Τίς 6 856;; → Τίς ὁ Θεός;.

Cite (SBL): Gregory of Nyssa, Vit. Mos. 377 (PG 44:377a–377d; trans. Sophia Scriptura, https://sophiascriptura.com/fathers/gregory-nyssa-vita-moysis/373/#p-377). (abbreviation not yet checked)

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Translation: Translated by Claude from the Migne PG 44 scan text (cited by Migne column); no public-domain English or FOTC volume exists, so it was re-read against the Greek.

Chapter 379

379PG 44:380a–380d

λίας σάλπιγξ μεγαλόφωνος γίνεται, καθά φησί τις τῶν προφητῶν. δτι ι Ἐσάλπισεν ὁ Θεὸς ἀνωθεν. ι ὐ δὲ κεκαθαρμένος τε καὶ ὀξὺς τὴν ἀκοὴν τῆς καρδίας, τὴν ἠχὴν ταύτην δεξάμενος, λέγω δὴ τὴν ὲκ τῆς 5εωρίας τῶν ὄντων γινομένην πρὸς τὴν τῆς θείας δυνάμεως γνῶσιν, ὀδηγεῖται διʼ αὐτῆς πρὸς τὸ ἐκεῖ διαδῦναι τῇ διανοίᾳ, ὅπου ἐστὶν ὁ Θεὸς. Τοῦτο δὲ γνόφος ὑπὸ τῆς Γραφῆς ὀνομάζεται, ὃ δὴ ἑρμηνεύεται. καθὼς εἴρηται, τὸ ἄγνωστον τε καὶ ἀθεώρητον, ὲν ᾧ γινόμενος τὴν ἀχειροποίητον ἐκείνην σκηνὴν βλέπει. ἢν διὰ τῆς ὑλικῆς μιμήσεως τοῖς κάτω δείκνυσι. Τί οὖν ή ἀχειροποίητος ἐκείνη σκηνή; ἡ παραδεικνυμένη τῷ Μωῦσεῖ κατά τὸ ὕρος, πρὸς ἣν κελεύεται βλέπειν, ὡς εἰς ἀρχέτυπον, διά τῆς χειροτμήτισυ κατασκευῆς δεῖξαι τὸ ἀχειροποίητον θαῦμαΑὊρα γὰρ, φησὶ, ποιήσεις πάντα κατά τὸν τύπον τὸν δειχθέντα σοι ὲν τῷ δρει.»Στύλοι χρύσεοι βάσεσιν ἀργυραῖς ὲρηρεισμένοι, καὶ κεφαλαῖς ὡσαύτως ἀργυραῖς · ὲπιπρέποντες πάλιν ἕτεροι στύλοι, ὧν κεφαλαὶ μὲν καὶ βάσεις ἐκ χαλκοῦ τῆς ὕληςο τὸ δὲ διὰ μέσου τῶν ἄκρων, ἄργυρος. Πᾶσι δὲ τούτοις ἔρεισμα μὲν ξύλινον ἦν, σηπεδόνα μὴ προσδεχόμενον. Ἑν κύκλῳ δὲ, κατά τὺ φαινόμενον, ἠαὺγὴ τῶν τοιούτων ὑλῶν περιεκέχυτο, καὶ κιβωτός τις ὡσαύτως ὲν ἀκηράτῳ στίλβουσα τῷ χρυσῷ · τὸ δὲ διερεῖδον τὴν τοῦ χρυσίου περιβολὴν, καὶ αὑτὸ ξύλον ἦν σῆψιν οὑ προσδεχόμενον. Λυχνία τις ἐπὶ τούτοις, μία μὲν κατὰ τὸν πυθμένα τῆς βάσεως, ἑπτὰ δὲ κλάδοις κατὰ τὸ ἀκρον διῃρημένη, ἰσαρίθμους κύκλους ἐπὶ τῶν κλάδων ἀνέχουσα. Χρυσὺς δὲ ἦν τῆς λυχνίας ἡ ὕλη, οὐδὲν τῆς κατασκευῆς κοῖλον ἔχων, 0'3δὲ ξύλῳ διερειδόμενον. Θυσιαστήριον δὲ πρὸς τούτοις καὶ ἱλαστήριονο καὶ τὰ λεγόμενα χερουβὶμ, ὧν ταῖς πτέρυξιν ὴ κιβωτὸς ὲσκιάζετο. Πάντα ταῦτα χρυσὸς ἦν, οὑκ ἐπιπόλαιον παρέχων τῇ ἐπιφανείᾳ τὴν εὔχροιαν, ἀλλά διʼ ὅλου ὁ αὑτὸς ἦν, μέχρι τοῦ βάθους διηκούσης τῆς ὕλης. Ποικίλα τε πρὸς τούτοις ἐξ ὑφαντικῆς φιλοτεχνίας καταπετάσματα, διαφόρων ἀνθῶν ἐπαλλήλοις πρὸς τὴν τοῦ ὑφάσματος ὤραν συμπλεκομένων οἷς διεκρίνετο τῆς σκηνῆςὅσον ὁρατόν τε καὶ βάσιμόν τισι τῶν ἱερουργούντων ἦν, καὶ ὅσον ἄδυτόν τε καὶ ἀνεπίβαο τον· ὄνομα δὲ, τὸ μὲν προτεταγμένον, ἅγιον ἦν, τὸ δὲ ἀποκεκρυμμένον, ἅγιον ἀγίων. Λουτῆρες ἐπὶ τούτοις, καὶ πυρεῖα, καὶ ἡ ἔξωθεν τῶν αὑλαίων πε ριο βολὴ, καὶ δέρρεις ὲκ τριχῶν, καὶ δέρματα πεφοινιγμένα τῷ ἐρυθήματι · καὶ ὅσα ἄλλα διασκευάζει τῷ λόγῳ, τίς ἂν διʼ ἀκριβείας λόγος κατανοήσειε; ποίων ἀχειροποιήτων ἐστὶ ταῦτα μιμήματα; καὶ τί φέρει τοῖς ὁρῶσι κέρδος, τῶν ἐκεῖ ὀφθέντων ὑπὸ τοῦ Μωσέως, ή ἐπὶ τῆς ὕλης μίμησις; Ἀλλὰ μοι δοκεῖ καλῶς ἔχειν, τὸν μὲν ἀκριβῆ περὶ τούτων λόγον καταλιπεῖν ἐκείνοις, οἳ διά τοῦ Πνεύματος τὰ βάθη τοῦ

lias salpinx megalophōnos ginetai, katha phēsi tis tōn prophētōn. dti i Esalpisen ho Theos anōthen. i y de kekatharmenos te kai oxys tēn akoēn tēs kardias, tēn ēchēn tautēn dexamenos, legō dē tēn ek tēs 5eōrias tōn ontōn ginomenēn pros tēn tēs theias dynameōs gnōsin, odēgeitai diʼ autēs pros to ekei diadynai tę̄ dianoią, hopou estin ho Theos. Touto de gnophos hypo tēs Graphēs onomazetai, ho dē hermēneuetai. kathōs eirētai, to agnōston te kai atheōrēton, en hǭ ginomenos tēn acheiropoiēton ekeinēn skēnēn blepei. ēn dia tēs hylikēs mimēseōs tois katō deiknysi. Ti oun ē acheiropoiētos ekeinē skēnē? hē paradeiknymenē tǭ Mōysei kata to hyros, pros hēn keleuetai blepein, hōs eis archetypon, dia tēs cheirotmētisy kataskeuēs deixai to acheiropoiēton thaumaAOra gar, phēsi, poiēseis panta kata ton typon ton deichthenta soi en tǭ drei.»Styloi chryseoi basesin argyrais erēreismenoi, kai kephalais hōsautōs argyrais ; epiprepontes palin heteroi styloi, hōn kephalai men kai baseis ek chalkou tēs hylēso to de dia mesou tōn akrōn, argyros. Pasi de toutois ereisma men xylinon ēn, sēpedona mē prosdechomenon. Hen kyklǭ de, kata ty phainomenon, ēaugē tōn toioutōn hylōn periekechyto, kai kibōtos tis hōsautōs en akēratǭ stilbousa tǭ chrysǭ ; to de diereidon tēn tou chrysiou peribolēn, kai hauto xylon ēn sēpsin hou prosdechomenon. Lychnia tis epi toutois, mia men kata ton pythmena tēs baseōs, hepta de kladois kata to akron dię̄rēmenē, isarithmous kyklous epi tōn kladōn anechousa. Chrysys de ēn tēs lychnias hē hylē, ouden tēs kataskeuēs koilon echōn, 0'3de xylǭ diereidomenon. Thysiastērion de pros toutois kai hilastēriono kai ta legomena cheroubim, hōn tais pteryxin ē kibōtos eskiazeto. Panta tauta chrysos ēn, houk epipolaion parechōn tę̄ epiphaneią tēn euchroian, alla diʼ holou ho hautos ēn, mechri tou bathous diēkousēs tēs hylēs. Poikila te pros toutois ex hyphantikēs philotechnias katapetasmata, diaphorōn anthōn epallēlois pros tēn tou hyphasmatos ōran symplekomenōn hois diekrineto tēs skēnēsoson horaton te kai basimon tisi tōn hierourgountōn ēn, kai hoson adyton te kai anepibao ton; onoma de, to men protetagmenon, hagion ēn, to de apokekrymmenon, hagion agiōn. Loutēres epi toutois, kai pyreia, kai hē exōthen tōn haulaiōn pe rio bolē, kai derreis ek trichōn, kai dermata pephoinigmena tǭ erythēmati ; kai hosa alla diaskeuazei tǭ logǭ, tis an diʼ akribeias logos katanoēseie? poiōn acheiropoiētōn esti tauta mimēmata? kai ti pherei tois horōsi kerdos, tōn ekei ophthentōn hypo tou Mōseōs, ē epi tēs hylēs mimēsis? Alla moi dokei kalōs echein, ton men akribē peri toutōn logon katalipein ekeinois, hoi dia tou Pneumatos ta bathē tou

becomes a loud-voiced trumpet, as one of the prophets says, “God sounded the trumpet from above.” Whoever is purified and sharp in the hearing of the heart, having received this sound — I mean the sound that arises from the contemplation of the things that are and leads to the knowledge of the divine power — is guided by it to penetrate in thought to the place where God is. This Scripture calls darkness, which signifies, as has been said, the unknown and unseen; and coming into it, he sees that tabernacle not made with hands, which he shows to those below by a material imitation. What, then, is that tabernacle not made with hands? The one shown to Moses on the mountain, to which he is commanded to look as to an archetype, in order to show the wonder not made with hands through a handmade construction. “See,” it says, “that you make everything according to the pattern shown you on the mountain.” There were golden pillars set on silver bases and likewise with silver capitals; there were other pillars again, conspicuous, whose capitals and bases were of bronze, and the part between the ends silver. All these had a core of wood that does not admit rot. All around, to outward view, the gleam of such materials was poured out; and an ark likewise shone with pure gold, and what supported its gold covering was also wood that does not admit decay. In addition there was a lampstand, single at the bottom of its base but divided at the top into seven branches, holding up an equal number of lamps on the branches. The material of the lampstand was gold, with nothing hollow in its construction and nothing supported by wood. Besides these there was an altar and a mercy seat, and the so-called cherubim, by whose wings the ark was overshadowed. All these were gold, not giving a bright colour only on the surface but the same throughout, the material reaching to the depth. Besides these there were varied curtains of the weaver’s art, with different flowers woven one after another into the beauty of the fabric; by them the part of the tent that was visible and could be entered by some of those who performed the sacred service was divided from the part that was secret and not to be entered. The front part was called holy, the hidden part the holy of holies. In addition there were lavers, censers, the enclosure of hangings outside, curtains of hair, and skins dyed red, and whatever else the account describes. What account could understand exactly of what things not made with hands these are imitations, and what profit the material imitation of what Moses saw there brings to those who see it? But it seems right to me to leave the exact account of these things to those who by the Spirit have the power to search out the depths of

Zech 9:14 (allusion, low confidence) · Exod 25:40 (quotation, high confidence) · Heb 8:5 (allusion, medium confidence) · Exod 25:10–40 (allusion, high confidence) · Exod 26:1–37 (allusion, high confidence) · Exod 27:1–19 (allusion, high confidence)

Notes and citation

Summary: The harmony of creation is a trumpet that leads the purified mind into the darkness where God is; there Moses sees the heavenly tabernacle, whose earthly copy, with its pillars, ark, lampstand, altar, cherubim, curtains, and skins, Gregory describes.

  • “God sounded the trumpet from above”: unidentified as a verbatim quotation; compare Zech 9:14; Ps 47:5. “See that you make everything …”: Exod 25:40 (compare Heb 8:5). The tabernacle and its furnishings: Exod 25–27; 36–38.
  • “Lamps”: the scan reads κύκλους (“circles”), probably a slip for λύχνους; translated by sense.

Notes on the original text

  • Digital text corrected (OCR debris (Latin letters) for -λίας (end of διδασκαλίας); OCR debris (Latin letters) for Μωσέως): tia; → λίας; Mutilσέως → Μωσέως.

Cite (SBL): Gregory of Nyssa, Vit. Mos. 379 (PG 44:380a–380d; trans. Sophia Scriptura, https://sophiascriptura.com/fathers/gregory-nyssa-vita-moysis/373/#p-379). (abbreviation not yet checked)

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Translation: Translated by Claude from the Migne PG 44 scan text (cited by Migne column); no public-domain English or FOTC volume exists, so it was re-read against the Greek.

Chapter 381

381PG 44:381a–381d

Θεοῦ ἑρευνᾷν δύναμιν ἔχουσιν· εἰ δή τις τοιοῦτός ἐστιν, ὡς Πνεύματι λαλεῖν μυστήρια, καθώς φησιν 6 ’Δ-ιτόστολος. ’0 δὲ παρʼ ἡμῶν στοχαστικῶς ὑπονοούντων περὶ τοῦ προκειμένου νοήματος λέγεται, τοῦτο τῇ κρίσει τῶν ἐντυγχανόντων ποιήσομεν ὡςῆ ἀπόβλητον, ἢ ἀπόδεκτον νομισθῆναι, ὅπως ἂν ἡ διάνοια τοῦ κρίνειν ὲπεσκεμμένου λογίσηται. Φαμὲν τοίνυν, ἑν μέρει τὸ ἐν τούτοις μυστήριον τοῦ Παύλου πα ραγυ μνὼσαντος, βραχεῖαν ὲκ τῶν εἱρη μένων ἀφορμὴν λαβόντες, ὅτι ὲν τύπῳ προεπαιδεύθη Μωῦσῆς τὸ περὶ τῆς σκηνῆς τῆς τὸ πᾶν περιεχούσης μυστήριον. Αὕτη δʼ ἂν εἴη Χριστὸς, ἡ τοῦ Θεοῦ δύναμις καὶ ὴ τοῦ Θεοῦ σοφία, ἠ ἀχειροποίητος οῦσα κατὰ τὴν ἰδίαν φύσιν, δέχεται τὸ κατασκευασθῆναι, ὅταν ἐν ἡμῖν δέῃ τὴν σκηνὴν ταύτην παγῆναι ο ὥστε τὴν αύτὴν, τρόπον τινὰ, καὶ ἀκατάσκευον καὶ κατεσκευασμένην εἷναιο τῷ μὲν προϋπάρχειν, ἀκτιστον, τῷ δὲ ὑλικὴν ταύτην δέξασθαι σύστασιν, κτιστὴν. γενομένην. Τάχα οὐκ ἀσαφὲς τὸ λεγόμενον τοῖς παράδοξαμένοις ἀκριῦὦς τὸ τῆς πίστεως ήμῶν μυστήριον. Ἓν γάρ ἐστιν ὲκ πάντων, ὃ καὶ πρὸ αἰώνων ἦν, καὶ ἐπʼ ἐσχάτων τῶν αἰώνων ἐγένετο, ὃ τοῦ μὲν γενέσθαι χρονικιῖκ οὐκ ἐδέετο· πῶς γάρ τὸ πρὸ χρόνων καί αἰώνων δεηθείη χρονικῆς γενέσεωςς διʼ ἡμᾶς δὲ τοὺς ἐξ ἀβουλίας τὸ εἶναι παραφθεέραντας, ἀνεδέξατο τὸ καθʼ ἡμᾶς γενέσθαι, ἵνα τὸ ἔξω τοῦ ὄντος γενόμενον, εἰς τὸ ὃν πάλιν ὲπαναγάγῃ. Τοῦτο δέ ἐστιν 6 μονογενὴς Θεὸς, 6 ὲν αὐτῷ μὲν περιέχων τὸ πᾶν, πηξάμενος. δὲ καί ἐν ἡμῖν ἰδίανισκηνήν. Εἰ δέ σκηνὴ τοσοῦτον ἀγαθὸν ὀνομάζεται, ταρασσέσθω μηδὲν 6 φιλόχριστος, ὡς κατασμικρυνούσης τὸ μεγαλεῖον τῆς φύσεως τοῦ Θεοῦ, τῆς ἐγκειμένης τῇ λέξει ἐμφάσεως. Οὐδὲ γὰρ ἄλλο τι τῶν ὀνομάτων ἀξιον τῆς φύσεως τοῦ σημαινομένου ἐστίν · ἀλλὰ πάντα ὁμοίως ἀποπέπτωκε τῆς ἀκριβοῦς σημασίας, τά τε μικρά νομιζόμενα, καί οἷς τι μέγεθος νοημάτων ἐξ ὑπολήψεως ἐνορᾶται. Ἀλλʼ ὥσπερ τά ἄλλα πάντα, κατά τι σημαινόμενον, ἕκαστον εὐσεβῶς προς ἔνδειξιν τῆς θείας δυνάμεως λέγεται, οἷον 6 ἰατρὸς, ὁ ποιμὴν, 6 ὑπερασπιστὴς, ό ἄρτος, ό ἄγγελος, ἡ ἄμπελος, ή ὁδὸς, ἡ θύρα, ἡ μονὴ, τὸ ὕδωρ, ή πέτρα, ἡ πηγὴ, καὶ ὅσα ἄλλα περί αὑτοῦ λέγεται· οὕτω, κατά τινα θεοπρεπῆ σημασίαν, καὶ τῷ τῆς σκηνῆς κατονομάζεται ῥήματί Ἦ γὰρ περιεκτικὴ τῶν ’όντων δύναμις, ὲνῇ κατοικεί πᾶν τὸ πλήρωμα τῆς θεότητος, ἡ κοινὴ τοῦ παντὸς σκέπη, 6 ὲν αὑτῷ τὸ πᾶν περι έχων, σκηνὴ κυρίως κατονομάζεται. Ἀνάγκη δὲ πρόσφορον εἶναι τῷ ὀνόματι τὴν ὀπτασίαν, ἑκάστου τῶν ὀφθέντων πρός τινα θεοπρεποῦς ὑπολήψεως θεωρίαν χειραγωγοῦντος. Ἐπεὶ οῦν 6 μέγας ’Δπόστολος καταπέτασμα τῆς κάτω σκηνῆς τὴν σάρκα φησὶν εἶναι ο διά τὸ ὲκ ποικίλων, οἶμαι, τῶν τεσσάρων στοιχείων ἔχειν τὴν σύστασιν · τάχα καὶ αὐτὸς ὲν ὀπτασίᾳ. τῆς σκηνῆς γενόμενος, ἐν τοῖς ὑπερουρανίοις

Theou hereunąn dynamin echousin; ei dē tis toioutos estin, hōs Pneumati lalein mystēria, kathōs phēsin 6 ’D-itostolos. ’0 de parʼ hēmōn stochastikōs hyponoountōn peri tou prokeimenou noēmatos legetai, touto tę̄ krisei tōn entynchanontōn poiēsomen hōsē apoblēton, ē apodekton nomisthēnai, hopōs an hē dianoia tou krinein epeskemmenou logisētai. Phamen toinyn, hen merei to en toutois mystērion tou Paulou pa ragy mnōsantos, bracheian ek tōn heirē menōn aphormēn labontes, hoti en typǭ proepaideuthē Mōysēs to peri tēs skēnēs tēs to pan periechousēs mystērion. Hautē dʼ an eiē Christos, hē tou Theou dynamis kai ē tou Theou sophia, ē acheiropoiētos ousa kata tēn idian physin, dechetai to kataskeuasthēnai, hotan en hēmin deę̄ tēn skēnēn tautēn pagēnai o hōste tēn autēn, tropon tina, kai akataskeuon kai kateskeuasmenēn heinaio tǭ men proÿparchein, aktiston, tǭ de hylikēn tautēn dexasthai systasin, ktistēn. genomenēn. Tacha ouk asaphes to legomenon tois paradoxamenois akriyōs to tēs pisteōs ēmōn mystērion. Hen gar estin ek pantōn, ho kai pro aiōnōn ēn, kai epʼ eschatōn tōn aiōnōn egeneto, ho tou men genesthai chronikiik ouk edeeto; pōs gar to pro chronōn kai aiōnōn deētheiē chronikēs geneseōss diʼ hēmas de tous ex aboulias to einai paraphtheerantas, anedexato to kathʼ hēmas genesthai, hina to exō tou ontos genomenon, eis to hon palin epanagagę̄. Touto de estin 6 monogenēs Theos, 6 en autǭ men periechōn to pan, pēxamenos. de kai en hēmin idianiskēnēn. Ei de skēnē tosouton agathon onomazetai, tarassesthō mēden 6 philochristos, hōs katasmikrynousēs to megaleion tēs physeōs tou Theou, tēs enkeimenēs tę̄ lexei emphaseōs. Oude gar allo ti tōn onomatōn axion tēs physeōs tou sēmainomenou estin ; alla panta homoiōs apopeptōke tēs akribous sēmasias, ta te mikra nomizomena, kai hois ti megethos noēmatōn ex hypolēpseōs enoratai. Allʼ hōsper ta alla panta, kata ti sēmainomenon, hekaston eusebōs pros endeixin tēs theias dynameōs legetai, hoion 6 iatros, ho poimēn, 6 hyperaspistēs, o artos, o angelos, hē ampelos, ē hodos, hē thyra, hē monē, to hydōr, ē petra, hē pēgē, kai hosa alla peri hautou legetai; houtō, kata tina theoprepē sēmasian, kai tǭ tēs skēnēs katonomazetai rhēmati Ē gar periektikē tōn ’ontōn dynamis, enę̄ katoikei pan to plērōma tēs theotētos, hē koinē tou pantos skepē, 6 en hautǭ to pan peri echōn, skēnē kyriōs katonomazetai. Anankē de prosphoron einai tǭ onomati tēn optasian, hekastou tōn ophthentōn pros tina theoprepous hypolēpseōs theōrian cheiragōgountos. Epei oun 6 megas ’Dpostolos katapetasma tēs katō skēnēs tēn sarka phēsin einai o dia to ek poikilōn, oimai, tōn tessarōn stoicheiōn echein tēn systasin ; tacha kai autos en optasią. tēs skēnēs genomenos, en tois hyperouraniois

God, if there is anyone such as to speak mysteries in the Spirit, as the Apostle says. What we say by conjecture about the meaning before us we will leave to the judgment of our readers, to be thought rejectable or acceptable as a mind practised in judging may reckon. We say, then — since Paul has partly uncovered the mystery in these things, and we take a small starting point from what he said — that Moses was taught beforehand in a type the mystery of the tabernacle that contains the universe. This tabernacle would be Christ, the power of God and the wisdom of God. Not made with hands in his own nature, he accepts being constructed when this tabernacle must be pitched among us; so that the same is in a way both unconstructed and constructed: uncreated in that he exists before, but having become created in that he accepted this material composition. Perhaps what is said is not unclear to those who have received the mystery of our faith exactly. For there is one alone of all that is, which both was before the ages and came to be at the end of the ages. It had no need of coming to be in time — for how could what is before times and ages need a temporal birth? — but for our sake, who by our ill counsel had corrupted our being, it accepted to come to be as we are, so that it might bring back again into being what had come to be outside being. This is the only-begotten God, who contains the universe in himself and yet pitched his own tabernacle among us too. If so great a good is called a tabernacle, let the lover of Christ not be troubled, as though the connotation of the word diminished the majesty of God’s nature. No other of the names is worthy of the nature signified either; all fall alike short of exact signification, both those thought small and those in which some greatness of meaning is perceived by supposition. But just as all the others, each according to some meaning, are piously said to indicate the divine power — physician, shepherd, protector, bread, angel, vine, way, door, dwelling, water, rock, spring, and whatever else is said of him — so, in a meaning befitting God, he is also named by the word “tabernacle.” For the power that contains all things that are, in which all the fullness of the godhead dwells, the common shelter of the universe, who contains all things in himself, is properly called a tabernacle. And the vision must fit the name, each of the things seen leading by the hand to the contemplation of some conception befitting God. Since, then, the great Apostle says that the veil of the tabernacle below is the flesh — because, I think, it is composed of the variety of the four elements — perhaps he too, having been in a vision of the tabernacle in the supercelestial

Textual problem in this passage: see the notes.

1 Cor 14:2 (allusion, medium confidence) · 1 Cor 1:24 (quotation, high confidence) · John 1:14 (allusion, high confidence) · Col 2:9 (quotation, high confidence) · Heb 10:20 (allusion, high confidence) · John 10:11 (allusion, low confidence) · John 14:6 (allusion, low confidence) · John 10:9 (allusion, low confidence)

Notes and citation

Summary: The heavenly tabernacle is Christ, uncreated in his divinity and “constructed” in his incarnation, the one who was before the ages and became man to restore us to being; like his other names, “tabernacle” fits him in a sense befitting God.

  • “Speak mysteries in the Spirit”: 1 Cor 14:2. “The power of God and the wisdom of God”: 1 Cor 1:24. “Pitched his tabernacle among us”: John 1:14. “All the fullness of the godhead”: Col 2:9. The veil is the flesh: Heb 10:20. The names of Christ: e.g. John 6:35; 10:7, 11; 14:6; 15:1; 1 Cor 10:4; Matt 9:12.
  • Christological passage (uncreated as pre-existent, “created” in the incarnation): translated as written; Gregory himself presents it as conjecture left to the reader’s judgment.

Notes on the original text

  • Digital text corrected (OCR debris (Latin letters)): tut τῇ → τῇ.

Topics: Christology

Cite (SBL): Gregory of Nyssa, Vit. Mos. 381 (PG 44:381a–381d; trans. Sophia Scriptura, https://sophiascriptura.com/fathers/gregory-nyssa-vita-moysis/373/#p-381). (abbreviation not yet checked)

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Translation: Translated by Claude from the Migne PG 44 scan text (cited by Migne column); no public-domain English or FOTC volume exists, so it was re-read against the Greek.

Chapter 383

383PG 44:384a–384d

ἀδύτοις, διὰ τοῦ πνεύματος …, τὰ τοῦ παραδείσου μυστήρια· καλῶς ἂν ἔχοι τῇ μερεκῇ προσέχοντας ἑρμηνείᾳ, πᾶσαν τὴν τῆς σκηνῆς θεωρίαν συναρμόζειν τῷ μέρει. Γένοιτο δʼ ἂν ἡμῖν, διʼ αὑτῶν τῶν τοῦ Ἀποστόλου λόγων, ἡ τῶν τῆς σκηνῆς αἰνιγμάτων σαφήνεια. Φησὶ γάρ που περὶ τοῦ Μονογενοῦς, ὃν ἀντὶ τῆς σκηνῆς νενοήκαμεκι, ὅτι ὲν αὐτῷ ἐκτίσθη τὰ πάντα, τὰ ὁρατά τε καὶ τὰ ἀόρατα, εἴτε θρόνοι, εἴτε ἐξουσίαι, εἴτε ἀρχαὶ, εἴτε κυριότητες, εἴτε δυνάμεις. ’ Οὐκοῦν στύλοι όιργυρολαμπεῖς,Δ καί χρυσήλατοι, καὶ ἀναφορεῖς, καὶ δακτύλιοι, καὶ τὰ χερουβὶμ ἐκεῖνα, τά ταῖς πτέρυξι τὴν κιβωτὸν ὲπεκρύπτοντα, καί τᾶλλα πάντα, ὅσα ἡ τῆς σκηνοπηγίας ὑπογραφὴ περιέχει. εί μέν τις πρὸς τὰ ἀνω βλέποι σκοπῶν, αἱ ὑπερκόσμιοι γδυνάμειςνείσὶν, αἱ ἐν τῇ σκηνῇ θεωρούμεναι, αἱ κατά θείαν βούλησιν τὸ πᾶν ὑπερείδουσαι. Ἐκεῖνοι ἀληθινοὶ ἀναφορεῖς ἡμῶν, οί είς διακονίαν ἀναστελλόμενοι διὰ] τοὺς μέλλοντας κληο ρονομεῖν σωτηρίαν, οἱ καθάπερ δακτυλίοις τισὶ ταῖς ψυχαῖς ἡμῶν ένειρόμενοι τῶν σωζομένων, διʼ ἑαυο τῶν πρὸς τὸ ὕψος τῆς ἀρετῆς τοὺς κειμένους ἐπὶ τῆς γῆς ἀναφέροντες. Χερουβὶμ δὲ είπὼν ὁ λόγος κατα.καλύπτοντα ταῖς πτέρυξι τὰ ὲγκείμενα τῇ κιΰωτῷ τῆς διαθήκης μυστήρια, βεβαιοῖ τὴν ἀποδοθεῖσαν ἡμῖν παρά τῆς σκηνῆς θεωρίαν. Τὸ γὰρ ὄνομα τοῦτο τῶν περὶ τὴν θείαν φύσιν θεωρουμένων δυνάμεων μεμαθήκαμεν, ἃς ό Ἡσαΐας καὶ ὁ ἰεζνξκιὴλ κατεκάη-ί σαν. Ἡ δὲ κιβωτὸς τῆς διαθήκης, κεκαλυμμένη ταῖς πτέρυξι, μὴ ξενιζέτω τὴν ἀκοήνο καὶ γὰρ ὲν τῷ Ἡσαΐᾳ τὸ ὅμοιον ἐστι μαθεῖν, έν αἰνίγματι παρά τοῦ προφήτου περὶ τῶν πτερύγοιν λεγόμενον· ὅδε μὲν ἡ κιβωτὸς, ἐκεῖ δὲ πρόσωπον, ὼς ἑνὸς ὄντος τοῦ ἐν ἀμφοτέροις νοουμένου, ὅπερ μοι δοκεῖ τὸ ἀκατάληπτον τῆς τῶν ἀπορρήτων Θεωρίας αἰνίσσεσθαι. Κᾶν περὶ λύχνων ἀκούσῃς πολυσχιδῶς ὲκ μιᾶς λυχνίας ἀνεχομένων, ὥστε ἄεθονον εἶναι καὶ δαψιλὲς τὸ φῶς πανταχόθεν λαμπόμενον οὐκ ἂν ἁμάρτοις, τὰς πολυειδεῖς τοῦ πνεύματος μαρμαρυγὰς διαπρέπειν ταύτῃ τῇ σκηνῇ λογιζόμενος, ant‘o; Ἠσοῖας ρησὶνδέπταχῆδιαιρῶν τὰς λαμπηδόνας τοῦ πνεύματος. Τὸ δὲ ἱλαστήριον οὐδὲ ἑρμηνείας οἶμαι προσδέεσθαι, τοῦ Ἀποστολου τὸ κεκρυμμένον γυμνώσαντος, ὃς φησιν· ὅτις ὃν προέθετο ὁ Θεὸς ἱλαστήριον τῶν ψυχῶν ἡμῶν. θυσιαστήριον δὲ καὶ θυμιατήριον ἀκούων, νοῶ τὴν διηνεκῶς ἐπιτελουμένην τῇ σκηνῇ ταύτῃ τῶν ἐπουρανίων προσκύνησιν. Ού γάρ μόνον ἐπιγείων καὶ ύπερχθονίων, ἀλλά καὶ τῶν ἐπουρανίων τὴν γλῶσσάν φησιν ἀναπέμπειν τὸν αἶνον τῇ τῶν πάντων ἀρχῇ. Τοῦτο δέ ἐστινὴ κεχαρισμένη τῷ Θεῷ θυσία, τὸ κάρπωμα τῶν χειλέων, καθὼς φησιν ό Ἀπόστολος, καὶ τῶν προσευχῶν ἡ εὐωδία. Ei δὲ καὶ δέρμα ὲν τούτοις ὁρᾶται πεφοινιγμένον βαφῇ, και τρίχες ὲξυφανθεῖσαι· οὐδὲ οὗτος ό είρμὸς ιιῆς θεωρίας διακοπήσεται. '0 γάρ προφητικὸς ὀφθαλμὸς, ἐν τῇ τῶν θείων ὀπτασίᾳ γινόμενος, εκεῖ καθεώραται προσωρισμένον τὸ σωτήριον πάθος ὅπερ

adytois, dia tou pneumatos …, ta tou paradeisou mystēria; kalōs an echoi tę̄ merekę̄ prosechontas hermēneią, pasan tēn tēs skēnēs theōrian synarmozein tǭ merei. Genoito dʼ an hēmin, diʼ hautōn tōn tou Apostolou logōn, hē tōn tēs skēnēs ainigmatōn saphēneia. Phēsi gar pou peri tou Monogenous, hon anti tēs skēnēs nenoēkameki, hoti en autǭ ektisthē ta panta, ta horata te kai ta aorata, eite thronoi, eite exousiai, eite archai, eite kyriotētes, eite dynameis. ’ Oukoun styloi oirgyrolampeis,D kai chrysēlatoi, kai anaphoreis, kai daktylioi, kai ta cheroubim ekeina, ta tais pteryxi tēn kibōton epekryptonta, kai talla panta, hosa hē tēs skēnopēgias hypographē periechei. ei men tis pros ta anō blepoi skopōn, hai hyperkosmioi gdynameisneisin, hai en tę̄ skēnę̄ theōroumenai, hai kata theian boulēsin to pan hypereidousai. Ekeinoi alēthinoi anaphoreis hēmōn, oi eis diakonian anastellomenoi dia] tous mellontas klēo ronomein sōtērian, hoi kathaper daktyliois tisi tais psychais hēmōn eneiromenoi tōn sōzomenōn, diʼ heauo tōn pros to hypsos tēs aretēs tous keimenous epi tēs gēs anapherontes. Cheroubim de eipōn ho logos kata.kalyptonta tais pteryxi ta enkeimena tę̄ kiÿōtǭ tēs diathēkēs mystēria, bebaioi tēn apodotheisan hēmin para tēs skēnēs theōrian. To gar onoma touto tōn peri tēn theian physin theōroumenōn dynameōn memathēkamen, has o Hēsaïas kai ho ieznxkiēl katekaē-i san. Hē de kibōtos tēs diathēkēs, kekalymmenē tais pteryxi, mē xenizetō tēn akoēno kai gar en tǭ Hēsaïą to homoion esti mathein, en ainigmati para tou prophētou peri tōn pterygoin legomenon; hode men hē kibōtos, ekei de prosōpon, ōs henos ontos tou en amphoterois nooumenou, hoper moi dokei to akatalēpton tēs tōn aporrētōn Theōrias ainissesthai. Kan peri lychnōn akousę̄s polyschidōs ek mias lychnias anechomenōn, hōste aethonon einai kai dapsiles to phōs pantachothen lampomenon ouk an hamartois, tas polyeideis tou pneumatos marmarygas diaprepein tautę̄ tę̄ skēnę̄ logizomenos, ant‘o? Ēsoias rēsindeptachēdiairōn tas lampēdonas tou pneumatos. To de hilastērion oude hermēneias oimai prosdeesthai, tou Apostolou to kekrymmenon gymnōsantos, hos phēsin; hotis hon proetheto ho Theos hilastērion tōn psychōn hēmōn. thysiastērion de kai thymiatērion akouōn, noō tēn diēnekōs epiteloumenēn tę̄ skēnę̄ tautę̄ tōn epouraniōn proskynēsin. Ou gar monon epigeiōn kai yperchthoniōn, alla kai tōn epouraniōn tēn glōssan phēsin anapempein ton ainon tę̄ tōn pantōn archę̄. Touto de estinē kecharismenē tǭ Theǭ thysia, to karpōma tōn cheileōn, kathōs phēsin o Apostolos, kai tōn proseuchōn hē euōdia. Ei de kai derma en toutois horatai pephoinigmenon baphę̄, kai triches exyphantheisai; oude houtos o eirmos iiēs theōrias diakopēsetai. '0 gar prophētikos ophthalmos, en tę̄ tōn theiōn optasią ginomenos, ekei katheōratai prosōrismenon to sōtērion pathos hoper

sanctuaries, was initiated through the Spirit into the mysteries of paradise. It would be well, attending to his partial interpretation, to fit the whole contemplation of the tabernacle to that part. The clarity of the tabernacle’s riddles may come to us through the Apostle’s own words. For he says somewhere of the Only-begotten, whom we have understood to be the tabernacle, that in him all things were created, visible and invisible, whether thrones or authorities or principalities or dominions or powers. So the silver-gleaming and gold-beaten pillars, the carrying poles and the rings, and those cherubim that cover the ark with their wings, and everything else the description of the building of the tabernacle contains — if one looks to things above in one’s inquiry — are the supercosmic powers contemplated in the tabernacle, which by the divine will hold up the universe. Those are our true carrying poles, sent out to serve for the sake of those who are to inherit salvation, who are threaded as through rings into the souls of those being saved, and through themselves lift up to the height of virtue those who lie on the earth. When the Word says that the cherubim cover with their wings the mysteries lying in the ark of the covenant, it confirms the contemplation of the tabernacle we have given. For we have learned that this is the name of the powers seen around the divine nature, which Isaiah and Ezekiel beheld. Let not the ark of the covenant covered with wings surprise the hearing; in Isaiah too one can learn the like, said in a riddle by the prophet about the wings: here it is the ark, there the face, as though what is understood in both were one. This seems to me to hint at the incomprehensibility of the contemplation of the secret things. And if you hear of lamps held up in many branches from a single lampstand, so that the light shines everywhere abundantly and plentifully, you would not be mistaken in reckoning that the manifold radiances of the Spirit shine forth in this tabernacle, as Isaiah says, dividing the brightness of the Spirit sevenfold. The mercy seat, I think, needs no interpretation, since the Apostle has uncovered what was hidden, saying that God set him forth as a mercy seat for our souls. When I hear of the altar and the altar of incense, I understand the worship of the heavenly beings perpetually performed in this tabernacle. For he says that not only the tongue of those on earth and under the earth, but also of those in heaven, sends up praise to the beginning of all things. This is the sacrifice pleasing to God, “the fruit of lips,” as the Apostle says, and the fragrance of prayers. And if skin dyed red and woven hair are seen among these, the sequence of contemplation will not be broken. For the prophetic eye, in the vision of divine things, beheld there the saving passion appointed beforehand,

2 Cor 12:2–4 (allusion, high confidence) · Col 1:16 (quotation, high confidence) · Heb 1:14 (allusion, high confidence) · Isa 6:2 (allusion, high confidence) · Ezek 10:1–22 (allusion, medium confidence) · Isa 11:2–3 (allusion, high confidence) · Rom 3:25 (allusion, high confidence) · Phil 2:10–11 (allusion, high confidence) · Heb 13:15 (quotation, high confidence) · Rev 8:3–4 (allusion, low confidence)

Notes and citation

Summary: The furnishings of the heavenly tabernacle signify the angelic powers created in Christ who lift souls to virtue; the cherubim, the seven lamps of the Spirit, the mercy seat (Christ), and the altar of praise are interpreted in turn.

  • Paul caught up into paradise: 2 Cor 12:2–4. “In him all things were created …”: Col 1:16. “Sent out to serve …”: Heb 1:14. Cherubim and seraphim: Isa 6:2; Ezek 1; 10. The sevenfold Spirit: Isa 11:2–3. The mercy seat (ἱλαστήριον): Rom 3:25. Praise of those in heaven, on earth, and under the earth: Phil 2:10–11. “The fruit of lips”: Heb 13:15. Fragrance of prayers: Rev 5:8; 8:3–4.
  • One word after “through the Spirit” is unreadable in the scan (OCR debris); “was initiated” is supplied by sense.

Notes on the original text

  • Digital text corrected (OCR debris (Latin letters) for πνεύματος; OCR debris (Latin letters) for ὀφθαλμὸς; OCR debris (Latin letters); word unreadable): damnumst-ir, → …,; matiματος → πνεύματος; dolia-lρος → ὀφθαλμὸς.

Topics: Christology

Cite (SBL): Gregory of Nyssa, Vit. Mos. 383 (PG 44:384a–384d; trans. Sophia Scriptura, https://sophiascriptura.com/fathers/gregory-nyssa-vita-moysis/373/#p-383). (abbreviation not yet checked)

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Translation: Translated by Claude from the Migne PG 44 scan text (cited by Migne column); no public-domain English or FOTC volume exists, so it was re-read against the Greek.

Chapter 385

385PG 44:385a–385d

ὲν ἑκατέρῳ τῶν εἰρημένων σημαίνεται ο τοῦ μὲν ὲρυβήματος τὸ αἷμα, τῆς δὲ τριχὸς ἑρμηνευούσης τὴν νέκρωσιν. ’Δμοιρος γάρ αἰσθήσεως ή τρὶξ τῷ σώματι · διὸ κυρίως νεκρότητος γίνεται σύμβολον. Ὅταν μὲν οὖν τὴν ἄνω σκηνὴν βλέπη ταῦτα διά τούτων ὁ προφήτης ὁρᾷ. Εί δέ τις τὴν κάτω σκηνὴν θεωροίη ο ἐπειδὴ πολλαχῆ Χριστὸς ἠ Ἐκκλησία παρὰ τοῦ Παύλου κατονομάζεται· καλῶς ἂν ἔχοι τούς ὑπηρέτας τοῦ θείου μυστηρίου, οὓς καὶ στύλους τῆς Ἐκκλησίας κατονομάζει ὁ λόγος, ἀποστόλους τε καὶἔ διδασκάλους καὶ προφήτας. τὰ ὀνόματα ταῦτα ὀνομάζειν εἶναι. Οὐ γὰρ μόνον Πέτρος καὶ Ἰωάννης καὶ Ἰάκωβος, στύλοι τῆς Ἐκκλησίας εἰσίν· οὐδὲ μόνος ὁ Βαπτιστὴς Ἰωάννης ὁ λύχνος ἦν καιόμενοςο ἀλλὰ πάντες οἱ διʼ ἑαυτῶν τὴν Ἐκκλησίαν ἐρείδοντες, κα). oi διὰ τῶν ἰδίων ἔργων φωστῆρες γινόμενοι, καὶ στύλοι καὶ λύχνοι λέγονται. ι Ὑμεῖς ἐστε τὸ φῶς τοῦ κόσμου, ι φησὶ πρὸς τοὺς ἀποστόλους ὁ Κύριος. Καὶ πάλιν ἑτέρους ό Θεῖος Ἀπόστοlo; στύλους είναιδιακελεύεται, λέγων θ ι Ἐδραῖοι γίνεσθε καὶ άμετακίνητοι,ιΚαὶ τὸν Τιμόθεον καλὸν στύλον ἐτεκτήνατο, ποιήσας αὐτὸν (καθώς φησι τῇ ἰδίᾳ φωνῇ) στύλον καὶ ἑδραίωμα τῆς Ἐκκλησίας ἀληθείας. Ἐν ταύτῃ τῇ σκηνῇ καὶ θυσία τῆς αἰνέσεως, καὶ θυμίαμα τῆς προσευχῆς, ἡ τῷ ὄρθρῳ καὶ τῇ ἑσπέρᾳ ἐνεργουμένη διὰ παντὸς καθορᾶται νοεῖν δὲ δίδωσι ταῦτα ὁ μέγας Δαυῖδ, κατευθύνων είς ὀσμὴν εὐωδίας τῷ Θεῷ τῆς προσευχῆς τὸ θυμίαμα· καὶ διὰ τῆς ἐκτάσεως τῶν χειρῶν, ἱερουργῶν τὴν θυσίαν. Λουτῆρας δέ τις ἁκούων, νοήσει πάντως τούς διὰ τοῦ μυστικοῦ ὓδατος τὸν μολυσμὸν ἀποκλύζοντας τῶν ἁμαρτιῶν. Λουτὴρ ἦν ό Ἰωάννης. ἐν τῷ Ἰορδάνῃ λούων, ἐν τῷ τῆς μετανοίας βαπτίσματν λουτὴρ ἦν ὁ Πέτρος, τρισχιλίους κατὰ ταύτὸν καθάπαξ κατάγων ὲπὶ τὸ ὕδωρ. Λουτὴρ τοῦ Κανδάκου ὁ Φίλιππος, καὶ πάντων πάντεςθτῶν μετεχόντων τῆς δωρεᾶς, οἱ ὲνεργοῦντες τὴν χάριν. Τὰς δὲ αὐλαίας, αἳ διὰ τῆς μετʼ ἀλλήλων συμ- 6ολῆς τὴν σκηνὴν ὲν κύκλῳ διαλαμβάνουσι, τὴν ἀγαπητικήν τε καὶ εἰρηνικὴν τῶν πιστευόντων ὀμόνοιαν εἷναί τις ὑπονοῶν, οὐκ ἂν ἁμάρτοι τοῦ πρέποντος* οὓτω τοῦ Δαβὶδ ἑρμηνεύσαντος, ὃς φησιν, ὁτι,Θεὶς τὰ ὃριά σου εἰρήνην. Δέρμα δὲ πεφοινιγμένον, καὶ δέρρεις ἀπὸ τριχῶν, πρὸς κόσμον τῆς σκηνῆς συντελοῦσαι. καταλλήλως ἂν νοηθεῖεν ἦ τε νέκρωσις τῆς ἁμαρτητικῆς σαρκὸς, ἦς αἴνιγμα τὸ πεφοινιγμένον δέρμα ἐστὶ, καὶ ἡτραχεία διαγωγὴ κατʼ ἐγκράτειαν, οἷς ὡραΐζεται μάλιστα ἡ τῆς Ἐκκλησίας σκηνή. Τὰ γὰρ δέρματα ζωτικὴν ὲν ἑαυτοῖς οὐκ ἔχοντα δύναμιν τὴν ἐκ φύσεως, τῇ βαφῇ τοῦ ὲρλθήματος εὐανθῆ γίνεται, ὅπερ διδάσκει, τὴν διὰ τοῦ Πνεύματος ἐπανθοῦσαν χάριν μὴ ὲν ἑτέροις γίνεσθαι, εί μή τινες ἑαυτοὺς τῇ ἁμαρτίᾳ θεκρὼσαιεν. Εἰ δὲ καὶ σώφρων αἰδὼς [οὐ] τῇ βαφῇ τοῦ ἐρυθήματος ὐπὸ τοῦ λόγου σημαίνεται, ἐπὶ τῷ βουλομένῳ ποιοζμαι τὴν κρίσιν. Ἠ δὲ τῶν τριχῶν συμπλοκὴ, τραχύ τε καὶ … ἀπεργαζομένη ἐξύφασμα, τὴν

en hekaterǭ tōn eirēmenōn sēmainetai o tou men erybēmatos to haima, tēs de trichos hermēneuousēs tēn nekrōsin. ’Dmoiros gar aisthēseōs ē trix tǭ sōmati ; dio kyriōs nekrotētos ginetai symbolon. Hotan men oun tēn anō skēnēn blepē tauta dia toutōn ho prophētēs horą. Ei de tis tēn katō skēnēn theōroiē o epeidē pollachē Christos ē Ekklēsia para tou Paulou katonomazetai; kalōs an echoi tous hypēretas tou theiou mystēriou, hous kai stylous tēs Ekklēsias katonomazei ho logos, apostolous te kaie didaskalous kai prophētas. ta onomata tauta onomazein einai. Ou gar monon Petros kai Iōannēs kai Iakōbos, styloi tēs Ekklēsias eisin; oude monos ho Baptistēs Iōannēs ho lychnos ēn kaiomenoso alla pantes hoi diʼ heautōn tēn Ekklēsian ereidontes, ka). oi dia tōn idiōn ergōn phōstēres ginomenoi, kai styloi kai lychnoi legontai. i Hymeis este to phōs tou kosmou, i phēsi pros tous apostolous ho Kyrios. Kai palin heterous o Theios Apostolo? stylous einaidiakeleuetai, legōn th i Edraioi ginesthe kai ametakinētoi,iKai ton Timotheon kalon stylon etektēnato, poiēsas auton (kathōs phēsi tę̄ idią phōnę̄) stylon kai hedraiōma tēs Ekklēsias alētheias. En tautę̄ tę̄ skēnę̄ kai thysia tēs aineseōs, kai thymiama tēs proseuchēs, hē tǭ orthrǭ kai tę̄ hesperą energoumenē dia pantos kathoratai noein de didōsi tauta ho megas Dauid, kateuthynōn eis osmēn euōdias tǭ Theǭ tēs proseuchēs to thymiama; kai dia tēs ektaseōs tōn cheirōn, hierourgōn tēn thysian. Loutēras de tis hakouōn, noēsei pantōs tous dia tou mystikou hydatos ton molysmon apoklyzontas tōn hamartiōn. Loutēr ēn o Iōannēs. en tǭ Iordanę̄ louōn, en tǭ tēs metanoias baptismatn loutēr ēn ho Petros, trischilious kata tauton kathapax katagōn epi to hydōr. Loutēr tou Kandakou ho Philippos, kai pantōn pantesthtōn metechontōn tēs dōreas, hoi energountes tēn charin. Tas de aulaias, hai dia tēs metʼ allēlōn sym- 6olēs tēn skēnēn en kyklǭ dialambanousi, tēn agapētikēn te kai eirēnikēn tōn pisteuontōn omonoian heinai tis hyponoōn, ouk an hamartoi tou prepontos* houtō tou Dabid hermēneusantos, hos phēsin, hoti,Theis ta horia sou eirēnēn. Derma de pephoinigmenon, kai derreis apo trichōn, pros kosmon tēs skēnēs syntelousai. katallēlōs an noētheien ē te nekrōsis tēs hamartētikēs sarkos, ēs ainigma to pephoinigmenon derma esti, kai hētracheia diagōgē katʼ enkrateian, hois hōraïzetai malista hē tēs Ekklēsias skēnē. Ta gar dermata zōtikēn en heautois ouk echonta dynamin tēn ek physeōs, tę̄ baphę̄ tou erlthēmatos euanthē ginetai, hoper didaskei, tēn dia tou Pneumatos epanthousan charin mē en heterois ginesthai, ei mē tines heautous tę̄ hamartią thekrōsaien. Ei de kai sōphrōn aidōs [ou] tę̄ baphę̄ tou erythēmatos ypo tou logou sēmainetai, epi tǭ boulomenǭ poiozmai tēn krisin. Ē de tōn trichōn symplokē, trachy te kai … apergazomenē exyphasma, tēn

which is signified in each of the things mentioned: the red interpreting the blood, and the hair the deadness. For hair has no share in the body’s sensation, and so it properly becomes a symbol of deadness. When, then, the prophet looks at the tabernacle above, these are the things he sees through these figures. But if one contemplates the tabernacle below — since Paul often calls the Church Christ — it would be well to give these names to those who serve the divine mystery, whom the Word also calls pillars of the Church: apostles, teachers, and prophets. For not only Peter and John and James are pillars of the Church, nor was John the Baptist alone the burning lamp; all who support the Church through themselves and become luminaries through their own works are called both pillars and lamps. “You are the light of the world,” the Lord says to the apostles. And again the divine Apostle bids others be pillars, saying, “Be steadfast and immovable.” And he built Timothy into a fine pillar, making him (as he says in his own words) “a pillar and foundation” of the Church of truth. In this tabernacle the sacrifice of praise and the incense of prayer, offered at dawn and at evening, are seen continually. The great David gives us to understand this when he directs the incense of prayer to God as a sweet fragrance, and offers the sacrifice by lifting up his hands. One who hears of lavers will surely understand those who wash away the defilement of sins through the mystical water. John was a laver, washing in the Jordan in the baptism of repentance; Peter was a laver, bringing three thousand at once to the water; Philip was the laver of Candace’s servant; and all who administer the grace are lavers for all who share in the gift. As for the curtains, which are joined to one another and enclose the tabernacle all around, one who takes them to be the loving and peaceful concord of believers would not miss what is fitting; so David interpreted, saying, “who makes your borders peace.” The skin dyed red and the curtains of hair, which contribute to the adornment of the tabernacle, might fittingly be understood as the putting to death of the sinful flesh, of which the red-dyed skin is a riddle, and as the rough way of life in self-control; by these above all the tabernacle of the Church is made beautiful. For skins, which have no natural vital power in themselves, become bright with the red dye; this teaches that the grace that blossoms through the Spirit comes about only in those who make themselves dead to sin. And if modest shame too is signified by the Word through the red dye, I leave the judgment to whoever wishes. The weaving together of hair, producing a rough and … fabric,

Gal 2:9 (allusion, high confidence) · John 5:35 (allusion, high confidence) · Matt 5:14 (quotation, high confidence) · 1 Cor 15:58 (quotation, high confidence) · 1 Tim 3:15 (quotation, high confidence) · Ps 141:2 (140:2 LXX) (allusion, high confidence) · Acts 2:41 (allusion, high confidence) · Acts 8:27–38 (allusion, high confidence) · Ps 147:14 (147:3 LXX) (quotation, high confidence) · Rom 6:11 (allusion, low confidence)

Notes and citation

Summary: The red skins and hair curtains signify Christ’s saving passion; in the tabernacle below, the Church, the pillars and lamps are its apostles and teachers, the lavers those who baptize, the curtains the concord of believers, the red skins the mortification of the flesh.

  • The pillars: Gal 2:9. The burning lamp: John 5:35. “You are the light of the world”: Matt 5:14. “Be steadfast and immovable”: 1 Cor 15:58. “A pillar and foundation of the truth”: 1 Tim 3:15 (Gregory’s wording makes Timothy the pillar). Incense of prayer and lifted hands: Ps 141:2 (LXX 140:2). Peter’s three thousand: Acts 2:41. Philip and the servant of Candace: Acts 8:27–38. “Who makes your borders peace”: Ps 147:14 (LXX 147:3).
  • The word in square brackets in the printed text before “by the red dye” is omitted. A word describing the fabric is unreadable in the scan (OCR debris).

Notes on the original text

  • Digital text corrected (OCR debris (Latin letters); word unreadable): ausast; → ….

Topics: Baptism, Church office

Cite (SBL): Gregory of Nyssa, Vit. Mos. 385 (PG 44:385a–385d; trans. Sophia Scriptura, https://sophiascriptura.com/fathers/gregory-nyssa-vita-moysis/373/#p-385). (abbreviation not yet checked)

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Translation: Translated by Claude from the Migne PG 44 scan text (cited by Migne column); no public-domain English or FOTC volume exists, so it was re-read against the Greek.

Chapter 387

387PG 44:388a–388d

τραχεῖαν ταύτην καὶ δαπανητικὴν τῶν καθομιλοῦντων παθῶν ἐγκράτειαν ὑπαινίσσεται· τὰ δὲ τοιαῦτα πάντα δείκνυσιν ἐφʼ ἐαυτῇς ὴ ὲν παρθενίᾳ ζωὴ, ἡ τὴν σάρκα τῶν οὕτω βιούντων ὑποπιέζουσα. Εἰ δὲ τὸ ἔιδον, ὅπερ Ἀγιον ἁγίων λέγεται, τοῖς πολλοῖς ἐστιν ἀνεπίβατον, μηδὲ τοῦτο ἀπᾴδειν τῆς τῶν νοηθέντων ς ἀκολουθίας νομίσωμεν. ’Δληθῶς γὰρ ἅγιόν τι χρῆμά ἐστι, καὶ ἁγίων ἆγιον, καὶ τοῖς πολλοῖς ἄληπτόν τι καὶ ἀπρόσιτον, ἡ τῶν ὄντων ἀλήθεια, ἦς ὲν τοῖς ἀδύτοις τε καὶ ἀπορρήτοις τῇς τοῦ μυστηρίου σκηνῆς καθιδρυμένης, ἀπολυπραγμόνητον εἶναι χρὴ τῶν ὑπὲρ κατάληψιν ὄντων τὴν κατανόησιν · πιστεύοντας εἶναι μὲν τὸ ζητούμενον, ού μὴν τοῖς ὀφθαλμοῖς πάντων προκεῖσθαι, ἀλλʼ ὲν τοῖς ἀδύτοις τῆς διανοίας μένειν ἀπόρρητον. Ταῦτα δέ καὶ τά τοιαῦτα παιδευθεὶς διὰ τῆς κατὰ τὴν σκηνὴν ὀπτασίας, ὁ κεκαθαρμένος ἐκεῖνος ὀφ- Θαλμδς τῆς Μωῦσέως ἐκείνης ψυχῆς, καὶ διὰ τῶν τοιούτων ὑψωθεὶς θεαμάτων, πάλιν πρὸς κορυφὴν ἄλλων νοημάτων ἀναβιβάζεται, τὸν στολισμὸν τῆς ἱερωσύνης ὲκπαιδευόμενος· ἐν οἷς ἐστιν ὃ τε ὑποδύτης, καὶ ὁ ὲπενδύτης, καὶ τὸ προστήθιον ἐκεῖνο ταῖς ποικίλαις τῶν λίθων αῐγλαις περιλαμπόμενον, καὶ ή περὶ τὴν κεφαλὴν ταινία, καὶτὸ ἐπʼ αὐτῆς πέταλον, ή περισκελὶς, οί ροΐσκοι, oi κώδωνες, εἶτα ὑπεράνω πάντων, τὸ λόγιόν τε καὶ ἡ δήλωσις, καὶ ἠ ἐπʼ ἀμφοῖν θεωρουμένη ἀλήθεια, αἶ τε συνδετικαὶ τούτων ἑκατέρωθεν ἐπωμίδες, ὲγκεκολαμμέναι τῶν πατριαρχῶν τὰ ὀνόματα · ὧν ὑποτέμνεται τὸ πλῆθος τῇς καθʼ ἕκαστον ἀκριβοῦς θεωρίας, αὑτά τῆς περιβολῆς τά ὀνόματα. Ποῖον γάρ σωματικῶν ἐσθημάτων ὄνομα, δήλωσις, ἢ λόγιον, ἢ ἀλήθεια; ἦ δηλονότι δείκνυται διὰ τούτων, τὸ μὴ ταύτην τὴν αἰσθητὴν περιβολὴν διὰ τῆς ἱστορίας ἡμῖν ὑπογράφεσθαι, ἀλλά τινα κόσμον ψυχῆς, διὰ τῶν κατʼ ἀρετὴν ἐπιτηδευμάτων ὲξυφαινόμενον. ’Ὑάκινθός ἐστιν ἡ τοῦ ποδήρους βαφή · φασὶ δέ τινες τῶν πρὸ ἡμῶν τεθεωρηκότων τὸν λόγον, τὸν ἀέρα σημαίνεσθαι τῇ βαφῇ. Ἐγὼ δὲ εί μὲν τι τὸ τοιοῦτον τοῦ χρῶμα·τος άνθος πρὸς τὸ ἀέριον χρῶμα συγγενῶς ἔχει, ἀκριβῶς οὑκ ἔχω διῖσχυρίζεσθαι. Τὸν μέν τοι λόγον οὑκ ἀποβάλλω συντείνει γὰρ πρὸς τὴν κατʼ ἀρετὴν θεωρίαν νόημα, ὅτι βούλεται, τὸν μέλλοντα τῷ Θεῷ ἱερᾶσθαι, καὶ τὸ ἑαυτοῦ προσάγειν σῶμα τῇ ίερουρ· γίᾳ καὶ σφάγιον γίνεσθαι μὴ νεκρούμενον, ὲν τῇ ζώσῃ θυσίᾳ καὶ λογικῇ λατρείᾳ, μὴ παχείᾳ τινὶ καὶ πολυσάρκῳ τοῦ βίου περιβολῇ καταβλάπτειν τὴν ψυχὴν, ἀλλʼ ἀπολεπτύνειν οἷόν τι ἀράχνιον νῆμα τῇ καθαρότητι τῆς ζωῆς πάντα τὰ τοῦ βίου ἐπιτηδεύματα, καὶ ἐγγὺς εἶναι πρὸς τὸ ἀνωφερὲς τε καὶ κοῦφον καὶ ἐν· ἀέριον, τὴν σωματώδη ταύτην φύσιν μετακλάσαι · ἵνα ὅταν τῆς ἐσχάτης ἀκούσωμεν σάλπιγγος, ἀβαρεῖς τε καὶ κοῦφοι πρὸς τὴν φωνὴν τοῦ κελεύοντος εὑρεθέντες, μετάρσιοι διʼ ἀέρος ἅμα τῷ Κυρίῳ φερώμεθα, ὑπὸ μηδενὸς βάρους ἐπὶ τὴν γῆν καθελκόμενοι. Οὑκοῧν ὁ κατὰ τὴν τοῦ Ψαλμῳδοῦ ὑποθήκην, ὲκτήξας ὡς ἀράχνην τὴν ἑαυτοῦ ψυχὴν, τὸν άερώδη ἐκεῖνον χι

tracheian tautēn kai dapanētikēn tōn kathomilountōn pathōn enkrateian hypainissetai; ta de toiauta panta deiknysin ephʼ eautę̄s ē en parthenią zōē, hē tēn sarka tōn houtō biountōn hypopiezousa. Ei de to eidon, hoper Agion hagiōn legetai, tois pollois estin anepibaton, mēde touto apądein tēs tōn noēthentōn s akolouthias nomisōmen. ’Dlēthōs gar hagion ti chrēma esti, kai hagiōn agion, kai tois pollois alēpton ti kai aprositon, hē tōn ontōn alētheia, ēs en tois adytois te kai aporrētois tę̄s tou mystēriou skēnēs kathidrymenēs, apolypragmonēton einai chrē tōn hyper katalēpsin ontōn tēn katanoēsin ; pisteuontas einai men to zētoumenon, ou mēn tois ophthalmois pantōn prokeisthai, allʼ en tois adytois tēs dianoias menein aporrēton. Tauta de kai ta toiauta paideutheis dia tēs kata tēn skēnēn optasias, ho kekatharmenos ekeinos oph- Thalmds tēs Mōyseōs ekeinēs psychēs, kai dia tōn toioutōn hypsōtheis theamatōn, palin pros koryphēn allōn noēmatōn anabibazetai, ton stolismon tēs hierōsynēs ekpaideuomenos; en hois estin ho te hypodytēs, kai ho ependytēs, kai to prostēthion ekeino tais poikilais tōn lithōn aiglais perilampomenon, kai ē peri tēn kephalēn tainia, kaito epʼ autēs petalon, ē periskelis, oi roïskoi, oi kōdōnes, eita hyperanō pantōn, to logion te kai hē dēlōsis, kai ē epʼ amphoin theōroumenē alētheia, ai te syndetikai toutōn hekaterōthen epōmides, enkekolammenai tōn patriarchōn ta onomata ; hōn hypotemnetai to plēthos tę̄s kathʼ hekaston akribous theōrias, hauta tēs peribolēs ta onomata. Poion gar sōmatikōn esthēmatōn onoma, dēlōsis, ē logion, ē alētheia? ē dēlonoti deiknytai dia toutōn, to mē tautēn tēn aisthētēn peribolēn dia tēs historias hēmin hypographesthai, alla tina kosmon psychēs, dia tōn katʼ aretēn epitēdeumatōn exyphainomenon. ’Hyakinthos estin hē tou podērous baphē ; phasi de tines tōn pro hēmōn tetheōrēkotōn ton logon, ton aera sēmainesthai tę̄ baphę̄. Egō de ei men ti to toiouton tou chrōma;tos anthos pros to aerion chrōma syngenōs echei, akribōs houk echō diischyrizesthai. Ton men toi logon houk apoballō synteinei gar pros tēn katʼ aretēn theōrian noēma, hoti bouletai, ton mellonta tǭ Theǭ hierasthai, kai to heautou prosagein sōma tę̄ ierour; gią kai sphagion ginesthai mē nekroumenon, en tę̄ zōsę̄ thysią kai logikę̄ latreią, mē pacheią tini kai polysarkǭ tou biou peribolę̄ katablaptein tēn psychēn, allʼ apoleptynein hoion ti arachnion nēma tę̄ katharotēti tēs zōēs panta ta tou biou epitēdeumata, kai engys einai pros to anōpheres te kai kouphon kai en; aerion, tēn sōmatōdē tautēn physin metaklasai ; hina hotan tēs eschatēs akousōmen salpingos, abareis te kai kouphoi pros tēn phōnēn tou keleuontos heurethentes, metarsioi diʼ aeros hama tǭ Kyriǭ pherōmetha, hypo mēdenos barous epi tēn gēn kathelkomenoi. Houkoÿn ho kata tēn tou Psalmǭdou hypothēkēn, ektēxas hōs arachnēn tēn heautou psychēn, ton aerōdē ekeinon chi

hints at this rough self-control that wears away the passions that dwell with us. All such things the life of virginity displays in itself, which keeps under the flesh of those who live in this way. If the inner part, called the holy of holies, cannot be entered by the many, let us not think that this too is out of harmony with the sequence of our understanding. For truly the truth of the things that are is a holy thing, the holy of holies, incomprehensible and inaccessible to the many. Since it is set in the inner and secret parts of the tabernacle of the mystery, the understanding of what is beyond comprehension must be left unpried into: we believe that what we seek exists, yet not that it lies before the eyes of all, but that it remains secret in the inner sanctuary of the mind. Having been taught these and similar things through the vision of the tabernacle, that purified eye of Moses’ soul, raised up by such sights, is brought up again to the peak of other thoughts, as he is instructed in the vesture of the priesthood. Among these are the under-robe and the over-robe, and that breast-piece shining with the varied gleams of the stones, the head-band, the plate upon it, the leg-coverings, the pomegranates, the bells, and above all the oracle and the manifestation, and the truth contemplated on both, and the shoulder-pieces that bind these on either side, engraved with the names of the patriarchs. The very names of the vesture cut short the many details of an exact contemplation of each. For what bodily garment is called “manifestation,” or “oracle,” or “truth”? Surely this shows that it is not this perceptible clothing that the history describes for us, but an adornment of the soul, woven by the pursuits of virtue. The dye of the ankle-length robe is blue. Some of those before us who contemplated the text say that the air is signified by this dye. I cannot affirm exactly whether the bloom of such a colour is akin to the colour of the air. Yet I do not reject the account, for the meaning contributes to the contemplation of virtue. It wishes that one who is to serve God as priest, and to offer his own body for the sacred service and become a victim that is not put to death, in the living sacrifice and the rational worship, should not burden his soul with a thick and fleshy covering of life; he should make all the pursuits of life fine as a spider’s thread through purity of life, and reshape this bodily nature so as to be near to what is upward-tending, light, and airy; so that when we hear the last trumpet, we may be found weightless and light at the voice of him who gives the command, and may be carried aloft through the air together with the Lord, drawn down to the earth by no weight. So whoever, following the Psalmist’s counsel, has made his soul waste away like a spider has put on that airy

1 Cor 9:27 (allusion, medium confidence) · Exod 28:1–43 (allusion, high confidence) · Exod 28:30 (allusion, high confidence) · Rom 12:1 (allusion, high confidence) · 1 Cor 15:52 (allusion, high confidence) · 1 Thess 4:16–17 (allusion, high confidence) · Ps 39:11 (38:12 LXX) (allusion, high confidence)

Notes and citation

Summary: The holy of holies signifies the truth of being, which is beyond comprehension and must be believed rather than pried into; the priestly vesture signifies the adornment of the soul by virtue, the sky-blue robe a life made light and airy, ready to be caught up to the Lord.

  • Keeping the body under: 1 Cor 9:27. The priestly vestments: Exod 28 (in the LXX the breast-piece bears the “oracle,” λόγιον, with the “manifestation and truth,” δήλωσις καὶ ἀλήθεια, Exod 28:30). “Living sacrifice … rational worship”: Rom 12:1. The last trumpet and being caught up in the air: 1 Cor 15:52; 1 Thess 4:16–17. “Made his soul waste away like a spider”: Ps 39:11 (LXX 38:12).
  • “Some of those before us”: the reading of blue as air goes back to Philo (Life of Moses 2.118) and Origen; Gregory does not name them.

Extrabiblical texts: Philo, Mos. 2.118 (Philo of Alexandria (works); echo)

Topics: Eschatology

Cite (SBL): Gregory of Nyssa, Vit. Mos. 387 (PG 44:388a–388d; trans. Sophia Scriptura, https://sophiascriptura.com/fathers/gregory-nyssa-vita-moysis/373/#p-387). (abbreviation not yet checked)

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Translation: Translated by Claude from the Migne PG 44 scan text (cited by Migne column); no public-domain English or FOTC volume exists, so it was re-read against the Greek.

Chapter 389

389PG 44:389a–389d

τῶνα περιεβάλετο ἐκ κεφαλῆς εἰς ἄκρους πόδας διἡκοντα. Ού γὰρ βούλεται κολοβοῦσθαι τὴν ἀρετὴν 6 νόμος. Ἦ οὖν λαμπηδὼν τῶν καλῶν ἔργων, οἱ χρυσοῖ κὼδωνές εἰσι, τοῖς ῥοΐσκοις περιδονούμενοι. Δύο γάρ ἐστι ταῦτα ἐπιτηδεύματα, διʼ ὧν ἡ ἀρετὴ συναγείρεταιο η εἰς τὸν Θεὸν πίστις, ἥ τε παρὰ τὸν βίον συνείδησις. Τούτους προστίθησι τῷ ἐνδύματι τοῦ Τιμοθέου τοὺς ῥοΐσκους τε καὶ τοὺς κώδωνας 6 μέγας Παῦλος, εἰπὼν αὑτὸν ἔχειν δεῖν πίστιν καὶ ἀγαθὴν συνείδησιν. Οὐκοῦν ὴ μὲν πίστις καθαρὸν ὴχείτω καὶ μεγαλόφωνον ἐν τῷ τῆς ἁγίας Τριάδος κηρύγματι. '0 δὲ βίος μιμείσθω τοῦ καρποῦ τῆς ῥοιᾶς τὴν φύσιν ἐκείνης τε γάρ ἄβρωτός ἐστιν ἡ ἐπιφάνεια, στερρῷ τε καὶ κατεστυμμένῳ τῷ ἐλύτρῳ διειλημμένη. Τὸ δὲ ἐγκείμενον, ἡδὺ μὲν ὀφθῆναι τῷ ποικίλῳ τε καὶ εὐκόσμῳ τῆς τοῦ καρποῦ διαθέσεως, ἥδιον δὲ τῇ γεύσει γίνεται, καταγλυκαϊνον τὴν αἴσθησιν. Ἤ τε φιλόσοφος καὶ κατεσκληκυῖα διαγωγὴ δύσληπτός τις οὖσα καὶ ἀηδὴς τῇ αἰσθήσει, πλήρης ἀγαθῶν ἐλπίδων ἐστὶ, κατὰ τὸν ῐδιον καρπὸν πεπανθεῖσα. Ἐπειδάν γὰρ 6 γεωργὸς ἡμῶν ἀναπτύξῃ τοῦ βίου τὴν ροιάν τῷ ίδίῳ καιρῷ, καὶ δείξῃ τῶν ἀποθέτων τὺ κάλλος · τότε γλυκεῖα γίνεται τοῖς ἀπολαύουσιν ὴ μετουσία τῶν ἰδίων καρπῶν. Φησὶ γάρ που καὶ 6 θεῖος Ἀπόστολος, ὅτι πᾶσα παιδεία πρὸς μὲν τὸ παρὸν οὐ δοκεῖ χαρᾶς εἶναι, ἀλλά λύπης· τοῦτό ἐστι τῆς ῥοιᾶς τὸ προεντυγχάνον τοῖς ἁπτομένοις · ὕστερον δέ καρπὸν εἰρηνικὸν ἀποδίδωσι. Τοῦτο ὴ τῶν ἔνδοθεν ἐδωδίμων γλυκύτης. Τὸν δὲ χιτῶνα τοῦτον καὶ κοσυμόωτδν εἶναι 6 λόγος διακελεύεται. Κόσυμβοι δέ εἱσι, τὰ ἔξω τῆς χρείας, κόσμου χάριν, ἀπηρτημένα σφαιροειδῆ ἀπαρτή ματα. Μανθάνομεν δέ διὰ τούτων ο τὺ δεῖν μὴ τῇ ἐντολῇ μόνον τὴν ἀρετὴν μετρεῖσθαι, ἀλλὰ τι καὶ παρʼ ἡμῶν ὲξευρίσκεσθαι διὰ τῶν ἔξωθεν παρεπινοουμένων. Ὠς ἂν προσθήκη τις τοῦ κόσμου γένοιτο τῷ ἐνδύματι, οἷος 6 Παῦλος ἦν, τοὺς καλοὺς παρʼ ἑαυτοῦ κοσύμβους ταῖς ἐντολαῖς συμπλέκων. Τοῦ γὰρ νόμου κελεύοντος τοὺς τῷ θυσιαστηρίῳ προσεδρεύοντας, τῷ θυσιαστηρίῳ συμμερίζεσθαιο καὶ μὴ κωλύοντος ἀδελφὴν γυναῖκα περιάγειν, καὶτοὺς τὸ Εὑαγγέλιον καταγγέλλοντας, ἐκεῖθεν ζῇν· οὗτος ἀδάπανον ποιεῖται τὺ Εὐαγγέλιον, πεινῶν καὶ διψῶν καὶ γυμνητεύων. Οὗτοί εἰσιν οἱ καλοὶ κόσυμδοι, οἱ τὸν χιτῶνα τῶν ἐντολῶν τῇ παρʼ ἐαυτῶν προσθήκῃ κατακοσμοῦντες. Εἶτα δύο πέπλοι ἀνωθεν ἐπιβάλλονται τῷ ποδήρει ἐκ τῶν ὤμων μέχρι τοῦ στήθους καὶ τῶν μεταφρένων καθήκοντες, δύο πόρπαις καθʼ ἐκάτερον ὦμον ἀλλήλοις ἐνούμενοι. Δί δὲ πόρπαι λίθοι εἰσὶ τὰ τῶν πατριαρχῶν ὀνόματα ἒξ καθʼ ἑκάτερον ἐν τοῖς χαράγμασι φέρουσαι. Ποικίλη δὲ τῶν πέπλων ἡ ίστουργία. Ὑάκινθος μὲν πορφύρῳ συμπλέκεται. T6 δὲ τῆς κόκκου ἐρύθημα τῇ βύσσῳ μίγνυται. Πᾶσι δὲ τούτοις τοῦ ἐκ χρυσίου νῆμα συγκατασπείρεται· ὡς ἐκ τῆς πολυειδοῦς ταύτης τῆς βαφῆς, μίαν τινὰ συγκεκραμένην ὤραν ἐκ τοῦ ῦφάσματος

tōna periebaleto ek kephalēs eis akrous podas diēkonta. Ou gar bouletai kolobousthai tēn aretēn 6 nomos. Ē oun lampēdōn tōn kalōn ergōn, hoi chrysoi kōdōnes eisi, tois rhoïskois peridonoumenoi. Dyo gar esti tauta epitēdeumata, diʼ hōn hē aretē synageiretaio ē eis ton Theon pistis, hē te para ton bion syneidēsis. Toutous prostithēsi tǭ endymati tou Timotheou tous rhoïskous te kai tous kōdōnas 6 megas Paulos, eipōn hauton echein dein pistin kai agathēn syneidēsin. Oukoun ē men pistis katharon ēcheitō kai megalophōnon en tǭ tēs hagias Triados kērygmati. '0 de bios mimeisthō tou karpou tēs rhoias tēn physin ekeinēs te gar abrōtos estin hē epiphaneia, sterrǭ te kai katestymmenǭ tǭ elytrǭ dieilēmmenē. To de enkeimenon, hēdy men ophthēnai tǭ poikilǭ te kai eukosmǭ tēs tou karpou diatheseōs, hēdion de tę̄ geusei ginetai, kataglykaïnon tēn aisthēsin. Ē te philosophos kai katesklēkuia diagōgē dyslēptos tis ousa kai aēdēs tę̄ aisthēsei, plērēs agathōn elpidōn esti, kata ton idion karpon pepantheisa. Epeidan gar 6 geōrgos hēmōn anaptyxę̄ tou biou tēn roian tǭ idiǭ kairǭ, kai deixę̄ tōn apothetōn ty kallos ; tote glykeia ginetai tois apolauousin ē metousia tōn idiōn karpōn. Phēsi gar pou kai 6 theios Apostolos, hoti pasa paideia pros men to paron ou dokei charas einai, alla lypēs; touto esti tēs rhoias to proentynchanon tois haptomenois ; hysteron de karpon eirēnikon apodidōsi. Touto ē tōn endothen edōdimōn glykytēs. Ton de chitōna touton kai kosymoōtdn einai 6 logos diakeleuetai. Kosymboi de heisi, ta exō tēs chreias, kosmou charin, apērtēmena sphairoeidē apartē mata. Manthanomen de dia toutōn o ty dein mē tę̄ entolę̄ monon tēn aretēn metreisthai, alla ti kai parʼ hēmōn exeuriskesthai dia tōn exōthen parepinooumenōn. Ōs an prosthēkē tis tou kosmou genoito tǭ endymati, hoios 6 Paulos ēn, tous kalous parʼ heautou kosymbous tais entolais symplekōn. Tou gar nomou keleuontos tous tǭ thysiastēriǭ prosedreuontas, tǭ thysiastēriǭ symmerizesthaio kai mē kōlyontos adelphēn gynaika periagein, kaitous to Heuangelion katangellontas, ekeithen zę̄n; houtos adapanon poieitai ty Euangelion, peinōn kai dipsōn kai gymnēteuōn. Houtoi eisin hoi kaloi kosymdoi, hoi ton chitōna tōn entolōn tę̄ parʼ eautōn prosthēkę̄ katakosmountes. Eita dyo peploi anōthen epiballontai tǭ podērei ek tōn ōmōn mechri tou stēthous kai tōn metaphrenōn kathēkontes, dyo porpais kathʼ ekateron ōmon allēlois enoumenoi. Di de porpai lithoi eisi ta tōn patriarchōn onomata ex kathʼ hekateron en tois charagmasi pherousai. Poikilē de tōn peplōn hē istourgia. Hyakinthos men porphyrǭ sympleketai. T6 de tēs kokkou erythēma tę̄ byssǭ mignytai. Pasi de toutois tou ek chrysiou nēma synkataspeiretai; hōs ek tēs polyeidous tautēs tēs baphēs, mian tina synkekramenēn ōran ek tou yphasmatos

tunic reaching from the head to the ends of the feet; for the law does not want virtue to be cut short. The golden bells, ringing alternately with the pomegranates, are the brightness of good works. For there are these two pursuits by which virtue is gathered: faith toward God and a good conscience in one’s life. The great Paul adds these pomegranates and bells to Timothy’s garment when he says that he must have faith and a good conscience. So let faith sound clearly and loudly in the proclamation of the Holy Trinity, and let one’s life imitate the nature of the fruit of the pomegranate. Its surface is inedible, enclosed in a hard and bitter rind; but what lies within is pleasant to see in the varied and orderly arrangement of the fruit, and more pleasant still to taste, sweetening the sense. So the philosophic and austere way of life, though hard to take and unpleasant to the senses, is full of good hopes once ripened into its own fruit. For when our farmer opens the pomegranate of life in its own time and shows the beauty of what is stored inside, then the sharing in its own fruits becomes sweet to those who enjoy them. For the divine Apostle too says somewhere that all discipline seems for the present to be a matter not of joy but of grief — this is the part of the pomegranate that first meets those who touch it — but later it yields the peaceful fruit; this is the sweetness of the edible part within. The Word also bids that this tunic be tasselled. Tassels are spherical pendants hung on beyond need, for ornament. By these we learn that virtue must not be measured by the commandment alone, but that something should also be found by ourselves, through further things we devise, so that some addition of ornament may come to the garment. Such was Paul, who wove his own fine tassels into the commandments. For while the law commands that those who serve at the altar share with the altar, and does not forbid taking a sister about as a wife, and directs that those who proclaim the Gospel should live by it, he makes the Gospel free of charge, hungering, thirsting, and going naked. These are the fine tassels that adorn the tunic of the commandments with their own additions. Then two robes are put on over the ankle-length robe, coming down from the shoulders to the breast and the back, joined to each other by two clasps, one on each shoulder. The clasps are stones that bear in their engravings the names of the patriarchs, six on each. The weaving of the robes is varied: blue is interwoven with purple, the red of scarlet is mingled with fine linen, and through all these a thread of gold is sown, so that from this many-coloured dyeing one blended beauty

Exod 28:31–35 (allusion, high confidence) · 1 Tim 1:19 (allusion, high confidence) · Heb 12:11 (quotation, high confidence) · 1 Cor 9:13 (allusion, high confidence) · 1 Cor 9:5 (allusion, high confidence) · 1 Cor 9:14 (allusion, high confidence) · 1 Cor 9:18 (allusion, high confidence) · 1 Cor 4:11 (allusion, medium confidence) · Exod 28:6–12 (allusion, high confidence)

Notes and citation

Summary: The bells and pomegranates are faith and good conscience: faith must ring out in proclaiming the Trinity, while the austere life, like a pomegranate, is bitter outside and sweet within; the tassels are voluntary virtues beyond the commandment, as Paul preached without pay.

  • The robe, bells, pomegranates: Exod 28:31–35. “Faith and a good conscience”: 1 Tim 1:19. “All discipline seems for the present …”: Heb 12:11. Paul’s renunciation of his rights: 1 Cor 9:5, 13–14, 18; 4:11. The shoulder-pieces: Exod 28:6–12.
  • “A sister as a wife” (1 Cor 9:5): translated as written.

Notes on the original text

  • Digital text corrected (OCR debris (Latin letters) for Τιμοθέου): Ttμοθέου → Τιμοθέου.

Cite (SBL): Gregory of Nyssa, Vit. Mos. 389 (PG 44:389a–389d; trans. Sophia Scriptura, https://sophiascriptura.com/fathers/gregory-nyssa-vita-moysis/373/#p-389). (abbreviation not yet checked)

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Translation: Translated by Claude from the Migne PG 44 scan text (cited by Migne column); no public-domain English or FOTC volume exists, so it was re-read against the Greek.