To Donatus 8

Summary: The theatre keeps ancient crimes alive, teaches adultery and effeminacy, and makes vice religious by showing the gods' immorality.

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Latin text · CSEL 3.1:9–10

Conuerte hinc uultus ad diuersi spectaculi non minus paenitenda contagia: in theatris quoque conspicies, quod tibi et dolori sit et pudori. cothurnus est tragicus, prisca carmine facinora recensere: de parricidiis et incestis horror antiquus expressa ad imaginem ueritatis actione replicatur, ne saeculis transeuntibus exolescat quod aliquando commissum est. admonetur aetas omnis auditu fieri posse quod factum est. numquam aeui senio delicta moriuntur, numquam temporibus crimen obruitur, numquam scelus obliuione sepelitur. exempla fiunt quae esse iam facinora destiterunt. tum delectat in mimis turpitudinum magisterio uel quid domi gesserit recognoscere uel quid gerere possit audire. adulterium discitur dum uidetur, et lenocinante ad uitia publicae auctoritatis malo quae pudica fortasse ad spectaculum matrona processerat, de spectaculo reuertitur inpudica. adhuc deinde morum quanta labes, quae probrorum fomenta, quae alimenta uitiorum, histrionicis gestibus inquinari, uidere contra foedus iusque nascendi patientiam incestae turpitudinis elaboratam: euirantur mares, honor omnis et uigor sexus eneruati corporis dedecore mollitur plusque illic placet, quisque uirum in feminam magis fregerit. in laudem crescit ex crimine et peritior quo turpior iudicatur. spectatur hic pro nefas et libenter. quid non possit suadere qui talis est? mouet sensus, mulcet adfectus, expugnat boni pectoris conscientiam fortiorem: nec deest probri blandientis auctoritas, ut auditu molliore pernicies hominibus obrepat. exprimunt inpudicam Venerem, adulterum Martem, Iouem illum suum non magis regno quam uitiis principem, in terrenos amores cum ipsis suis fulminibus ardentem, nunc in plumam oloris albescere, nunc aureo imbre defluere, nunc in puerorum pubescentium raptus ministris auibus prosilire. quaere iam nunc, an possit esse qui spectat integer uel pudicus. deos suos, quos ueneratur, imitatur: fiunt miseris et religiosa delicta.

English · Claude translation

Turn your face from here to the no less regrettable contagions of another kind of spectacle: in the theatres too you will see what will give you both grief and shame. It is the tragic buskin to recount in verse the crimes of old: the ancient horror of parricides and incests is unfolded again in action shaped to the image of truth, lest what was once committed should fade away as the ages pass. Every generation is reminded by hearing that what has been done can be done. Sins never die with the old age of time, crime is never buried by the passing of the years, wickedness is never interred in oblivion. Things that have ceased to be crimes become examples. Then in the mimes it delights, by the instruction of shameful acts, either to recognize what one has done at home or to hear what one could do. Adultery is learned while it is seen; and, with the evil of public authority acting as pimp for vice, a matron who had perhaps gone to the show chaste returns from the show unchaste. Then further, how great a ruin of morals, what fuel of shameful deeds, what nourishment of vices, to be defiled by the actors' gestures, to see, against the covenant and law of birth, the endurance of incestuous shamefulness elaborately worked out! Males are unmanned; all the honour and vigour of their sex is softened by the disgrace of an enervated body; and he pleases most there who has most broken the man into a woman. He grows in praise from his crime, and is judged the more skilled the more shameful he is. He is watched, O horror, and gladly. What could such a man not persuade? He moves the senses, soothes the feelings, storms the stronger conscience of a good heart; nor is the authority of a flattering disgrace lacking, so that ruin may creep upon men by a softer hearing. They represent an unchaste Venus, an adulterous Mars, that Jupiter of theirs, chief no more in rule than in vices, burning with his very thunderbolts for earthly loves, now whitening into the plumage of a swan, now flowing down in a golden shower, now leaping forth with his ministering birds to carry off boys in their youth. Ask now whether he who watches can be sound or chaste. He imitates the gods he venerates: for the wretches even their sins become religious.

About this passage

Source
CSEL 3.1:9–10 · Wilhelm von Hartel, ed., S. Thasci Caecili Cypriani Opera omnia, Pars 1, CSEL 3.1 (Vienna: Gerold, 1868), 3–16 · Latin text: W. von Hartel (CSEL 3.1, 1868), digitized by Open Greek and Latin, University of Leipzig (csel-dev), CC BY-SA 4.0
Text
As printed in CSEL 3.1. Manuscript variants and the editor's apparatus are not reproduced; no textual problem is noted in this passage.
Translation
Claude translation (claude-opus-5-5), 2026-09-27 · Translated by Claude from the Latin text of CSEL 3.1; made independently of existing English translations.
Compare
Ante-Nicene Fathers, vol. 5 (1886) (an older public-domain English translation, whole volume at CCEL; checked against ours only after ours was made)
Topics
Ethics

Notes

Translation notes

  • "Adultery" renders adulterium; the Jupiter stories are those of Leda (the swan), Danaë (the golden shower), and Ganymede (the eagle).

Notes on the original text

  • Digital text corrected (OCR: "(" for "s ".; OCR: "l" for "I".): louem illum → Iouem illum; ministri(auibus → ministris auibus.

Cite this passage

Cyprian, Don. 8 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/cyprian-donatum/8/).

Plain text
Cyprian, Don. 8 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/cyprian-donatum/8/).

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